Q & A: Soprano Sophie Junker On Playing Giulia In Cavalli’s ‘Pompeo Magno’ & Her Forthcoming Debut At The Wexford Festival Opera.

(Photo: Alan Neilson) The main presentation at this year’s Bayreuth Baroque Festival was a lavish, fully staged production of Francesco Cavalli’s 1666 opera, “Pompeo Magno,” boasting a large cast of high-quality singers and actors. Playing the role of Giulia was the Belgian soprano Sophie Junker, who, since winning both the London Händel Competition in 2010 and Innsbruck’s Cesti Competition in {…}

Q & A: Franco Fagioli on Velluti, Bel Canto & Discovering the Works of Paolo Bonfichi, Giuseppe Nicolini, and Francesco Morlacchi

Franco Fagioli is one of the leading virtuoso countertenors in the world, who has taken his own path in the repertoire and redefined the term countertenor. Having trained in the Italian school, Fagioli has performed works from the Bel Canto repertoire to great acclaim while also performing the baroque repertoire associated with countertenors. He has performed at the major opera {…}

Q & A: Anna Pirozzi On Her Recent Performance of Abigaille in ‘Nabucco’ & More

(Photo: Julian Hargreaves) Over the last decade, Anna Pirozzi has established herself as the leading Italian dramatic soprano today, treading the most prestigious Italian and international stages. Her many career highlights include: Maddalena di Coigny in “Andrea Chénier” at the San Francisco Opera and in Bilbao and Turin; the title role in “Turandot,” which she first performed in Israel under {…}

Q & A: Soprano Ana María Martínez on Performing at Ravinia Festival & the Importance of Masterclasses

On July 30, 2025, soprano Ana María Martínez returns to Ravinia for a special program with pianist Kevin Murphy. The performance marks the soprano’s third appearance with the festival following two notable showcases, both headed by conductor James Conlon. In 2007, the soprano was featured in a gala alongside famed tenor Plácido Doming and the Chicago Symphony Orchestra. Three years {…}

Q & A: Conductor James Gaffigan on Loving Wagner, His Musical Grounding & the Idiosyncrasies of Conducting

Recognised worldwide for his natural ease and extraordinary collaborative spirit, conductor James Gaffigan has attracted international attention for his prowess as a conductor of both symphony orchestras and opera. The mutual trust he builds with artists empowers them to cultivate the highest art possible. Gaffigan is uniquely positioned, with music directorships at two international opera houses. He is the General {…}

Q & A: Tenor Paul Appleby on Contemporary Operas & Run AMOC* Festival, Politics in the Arts, & His 2025-26 Slate

(Photo Credit : Jonathan-Tichler) “La Damnation de Faust.” “La Rondine.” “Die Schöpfung.” “In a Grove.” “St. Matthew Passion.” “Antony and Cleopatra.” These are just a few of the many projects that tenor Paul Appleby took on this past season. What stands out in this list is how wide-ranging it is in its artistic exploration. There are several contemporary works, sacred {…}