Q & A: Soprano Vivica Genaux on Mentoring Hasse Artaserse at Hochschule für Musik und Theater Hamburg

(Credit: RibaltaLuce-Studio) Celebrated as one of the preeminent mezzo-sopranos of her generation, Vivica Genaux is a definitive champion of the baroque and bel canto repertoires. Renowned for her instrumental role in the modern revival of Johann Adolf Hasse, she was honored with the Hasse-Preis by the Hasse-Stiftung Hamburg in 2025. She is actively collaborating with HfMT Hamburg as a mentor {…}

Q & A: Christopher Tin on a New ‘Turandot’ Ending & His Relationship to Puccini’s Final Opera

(credit: Andy Wilkinson) The ending of “Turandot” recording has always been a point of contention for opera goers. The opera is traditionally performed with an ending constructed by Alfano following Puccini’s death, but over the years, composers and librettists have taken a stab at reconsidering this iconic and controversial work. That list includes the likes of Luciano Berio, Derrick Wang, {…}

Q & A: Soprano Brittany Renee Reflects on ‘Porgy and Bess’ and the Changing Landscape of Opera

(Photo: Daniel W) Soprano Brittany Renee is a Grammy Award-winner who has built up an impressive international career, performing at the Metropolitan Opera, Washington National Opera, New York Philharmonic, San Francisco Opera, Houston Grand Opera, Opera Theatre of St. Louis, Lyric Opera of Chicago, Teatro Regio di Torino, Semperoper Dresden, and Teatro Petruzelli, among others. The soprano is set to {…}

Q & A: Prof. Mark Tucker & Prof. Isolde Kittel-Zerer on Reviving Hasse’s ‘Artaserse’ at Hochschule für Musik und Theater Hamburg

Prof. Mark Tucker is a distinguished interpreter of the Baroque repertoire with a prestigious career performing and recording under conductors such as Sir John Eliot Gardiner, Nikolaus Harnoncourt, and René Jacobs. For over 20 years, he has taught at Hochschule für Musik und Theater (HfMT) Hamburg, specializing in Italian vocal repertoire from 1600 to 1800 within the Historical Performance Practice {…}