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Stage Reviews

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Feb 10, 2018

Tucson Desert Song Festival 2017-18 Review: Phillippe Sly and John Charles Britton Deliver Mesmerizing Night of Schubert

Feb 7, 2018

Teatro Filharmonico 2017-18 Review – Otello: Sentimental Production & Decent Cast Create Enjoyable Evening

Feb 6, 2018

Metropolitan Opera 2017-18 Review – Parsifal: A Brilliant Cast Shines In Met’s Greatest Production Of Last Decade

Feb 6, 2018

Houston Grand Opera 2017-18 Review – The Barber of Seville: Laughs Not Up To Par In Uneven Production

Feb 5, 2018

Houston Grand Opera 2017-18 Review – Elektra: The Great Goerke Is the Finest Elektra Of Our Time

Feb 1, 2018

Theater an der Wien 2017-18 Review – Maria Stuarda: Alexandra Deshorties & Marlis Petersen Put On Revelatory, Sublime Performances

Feb 1, 2018

New York City Opera 2017-18 Review – Cruzar la Cara de la Luna: A Revelatory Experience That Puts the Current Immigration Landscape Into New Perspective

Jan 31, 2018

Palazzetto Bru Zane 2017-18 Review – Le Tribut de Zamora: Gounod Bicentennial Year Off to a Great Start in Munich

Jan 30, 2018

Croatian National Opera 2017-18 Review – Der Fliegende Holländer: Great Musicianship & Artistry Salvage Shipwreck of a Production

Jan 28, 2018

Metropolitan Opera 2017-18 Review – Il Trovatore: Four Great Voices Give Verdi Drama Wondrous Life In McVicar’s Genius Production

Jan 28, 2018

Utah Opera 2017-18 Review – Moby Dick: Jake Heggie’s Masterwork Soars In Solid Production

Jan 24, 2018

Royal Opera House Muscat 2017-18 Review: La Sonnambula: Rosa Feola Triumphs As Famed Bellini Heroine

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