Settimane Musicale 2018 Festival Review – L’Inganno Felice: Director Alberto Triola Finds Way to Use Ancient Theater Beautifully For Youthful Rossini Work

New Amsterdam Opera 2017-18 Review – La Favorita: Steven LaBrie & Catherine Martin Give Star-Studded Performances In Donizetti’s Rarely Performed Gem

Deutsche Oper Berlin 2017-18 Review – La Traviata: Kristina Mkhitaryan’s Outstanding Violetta Gains the Russian Soprano “Prima Donna Assoluta” Status

Carnegie Hall 2017-18 Review: Baritones Launch “Remember” Album with Powerful Performance

Los Angeles Opera 2017-18 Review – Rigoletto: Adela Zaharia Makes Triumphant Debut Alongside Michael Fabiano & Ambrogio Maestri

Center for Contemporary Opera 2018 Review: Pascal Dusapin’s “To Be Sung” and Stein’s Intimate Love Affair

Amore Opera 2017-18 Review: La Traviata – Jennifer Gliere Enchants as Life, and Death, of the Party

Vienna State Opera 2017-18 Review – La Traviata: Not Even Plácido Domingo Can Save Jean-François Sivadier’s Misguided Production

Vienna State Opera 2017-18 Review – Capriccio: A Win for the Words When Music Misses The Mark

Tiroler Landestheater 2018 Review – Rienzi: While Uneven Musically, Johannes Reitmeier Presents Timely & Relevant Interpretation of Neglected Wagner Work

Salzburg Whitsun Gala Konzert 2018: Jonas Kaufmann & Cecilia Bartoli Deliver Rossini & Wagner Goods Of Highest Order

Whitsun Festival Salzburg 2018 Review – L’Italiana in Algeri: Cecilia Bartoli Stars & Leads The Way In Rossini Comedy