Stage Reviews
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Bayerische Staatsoper 2016-17 Review – La Forza Del Destino: Jonas Kaufmann, Anja Harteros Dominate In A Personal Narrative Encapsulated In A Far Larger Context
The Glimmerglass Festival 2017 – The Siege Of Calais: Francesca Zambello, Leah Crocetto & Aleks Romano Make A Great Case For Donizetti’s Forgotten Work
Filarmónica de Bogotá Review 2017: Verdi’s ‘Requiem’ Gets Sublime Rendition At Teatro Municipal Jorge Eliecer Gaitán
Verbier Festival 2017 Review – Salome: Charles Dutoit Leads a Robust Cast In Must-Watch Live Stream
Festival d’Aix-En-Provence 2017 Review – Carmen: Tcherniakov’s Production Will Change the Way You See Bizet’s Masterpiece
Festival d’Aix-En-Provence 2017 Review – Eugene Onegin: A Showcase of Great Russian Talent in Tchaikovsky Great Masterpiece
Festival d’Aix-En-Provence 2017 Review – The Rake’s Progress: An Imaginative Production & Solid Cast Lend Insightful Reading of Stravinsky’s Neo-Classic Masterwork
The Chautauqua Opera Company 2017 Review – L’Orfeo: Respighi’s Orchestration of the Monteverdi Masterwork Asserts the Power of Music
OperaRox Productions 2016-17 Review – Sweets by Kate: An Uneven Work Makes History At Stonewall
Prague National Opera 2017 Review – Aida: An Incoherent Production With a Farcical Ballet & Underwhelming Singing
