Metropolitan Opera 2016-17 Review – Eugene Onegin: Anna Netrebko, Mariusz Kwiecien Dominate in Powerful Revival of Warner’s Astute Production

Tchaikovsky’s “Eugene Onegin” opens with a conversation between Madame Larina and Filippyevna remarking on arranged marriages and their overall lack of choice in the matter. A few scenes later, Filippyevna jokingly informs her beloved Tatiana that in her old times, the thought of love was nonsense for a young girl and then narrates her marriage at age 13 or 14 {…}

Metropolitan Opera 2016-17 Review – Aida: Conductor Daniele Rustioni Dominates, Leads Riveting Cast In Memorable Performance

I preface this by stating that this review is for the performance on March 31, 2017. I would also like to recognize that this is just one, performance of a seven-performance run. In an ideal situation, I would attend every performance and write a detailed review of the overall work. As it stands, I can only go on my perspective of one performance. Despite being such a familiar opera, {…}

Metropolitan Opera Review 2016-17 – Fidelio: Beethoven’s Ode to Women Celebrated With Stunning Cast & Production

I preface this by stating that this review is for the performance on March 24, 2017. I would also like to recognize that this is just one, performance of a seven-performance run. In an ideal situation, I would attend every performance and write a detailed review of the overall work. As it stands, I can only go on my perspective of one performance. 2017 has been the year of {…}

New Amsterdam Opera 2016-17 Review -‘La Forza del Destino:’ Verdi’s Gem Gets Solid But Rare NYC Performance

It’s been 11 years since the Metropolitan Opera has performed Verdi’s “La Forza del Destino,” one of the composer’s late masterpieces and one that requires an ensemble of experienced singers who have the force to take on the composer’s demanding music. As a result, it is rarely performed around the world and for that reason, New York audiences have waited {…}

LoftOpera 2017 Review – Otello: A Powerful Leading Lady & Unique Ambience Make Great Case for Rossini’s Shakespeare Adaptation

I preface this by stating that this review is for the performance on March 20, 2017. I would also like to recognize that this is just one performance of a six-performance run. In an ideal situation, I would attend every performance and write a detailed review of the overall work. As it stands, I can only go on my perspective of one performance. A few months ago, I wrote about {…}

Metropolitan Opera 2016-17 Review – Roméo et Juliette: Emanuel Villaume Leads a Marvelous Pretty Yende And Striking Stephen Costello

On New Year’s Eve, the Metropolitan Opera opened a new production of Gounod’s “Roméo et Juliette.” The result was a mixed bag with two bright stars heading the cast. The production was a dreary classically fitted take that lacked clarity of vision and ultimately dragged the show. After a few months, the Met has revived the production with better results. {…}

Lyric Opera Of Chicago 2016-17 Review – ‘Carmen:’ Dramatic Depth & Power Is Lacking Despite Vocal Finesse Throughout the Cast

izet’sThis review is in reference to the performance on Friday, March 3, 2017.  With Bizet’s ever-famous score full of ear tingling music, catchy tunes, and drama-packed scenes, an evening of Carmen is a guaranteed great night at the opera, making this the perfect way for first-timers to first dip their toes into the operatic repertory. The Leads  Lyric Opera’s production {…}