Metropolitan Opera 2017-18 Review – Elektra: Yannick Nézet-Séguin Steals The Show In Strauss’ Most Violent Work

Theater an der Wien 2017-18 Review – Saul: Claus Guth’s Interpretation Is More Pasolini Than Prophet

Lyric Opera of Chicago 2017-18 Review – Così Fan Tutte: Crebassa and Martinez shine in Mozart’s Infidelity Comedy

Teatro la Fenice 2017-18 Review – Zenobia: Embracing the Past & Future To Create Compelling Performance in the Present

Metropolitan Opera 2017-18 Review – Madama Butterfly: Ermonela Jaho Triumphs In Tragic Portrayal Of Puccini’s Heroine

The Cantanti Project 2018 Review – Euridice: An Intimate Experience That Shows Us What Opera Is, and What It Could Be

Barbican 2017-18 Review – Dead Man Walking: Joyce DiDonato Shines In Jake Heggie’s Haunting Disarray Of An Opera

Metropolitan Opera 2017-18 Review – Semiramide: Elizabeth DeShong Shines In Disappointing Revival

Metropolitan Opera 2017-18 Review – La Bohème: Michael Fabiano In Top Form Alongside Splendid Sonya Yoncheva, Susanna Phillips, Lucas Meachem & Others

New York Philharmonic 2017-18 Review – Die Walküre: Jaap van Zweden & Soloists Deliver Sublime Rendition of Act One of Wagner Masterwork

Lyric Opera of Chicago 2017-18 Review – I Puritani: Shagimuratova and Brownlee Thrill in Bellini’s Final Work

Opera Rara 2017-18 Review – The Man who Mistook His Wife for a Hat: Michael Nyman’s Opera About Madness Makes a Lot of Sense in Krakow