OPERA America has selected 15 participants for its 2020 Leadership Intensive Program. These leaders, which hail from the U.S., Canada, Europe, and Latin America, were selected from a pool of 44 candidates. The participants selected by OPERA America include are Derrell Acon, director of engagement and equity, Long Beach Opera; Joe Barnes, company manager, the Metropolitan Opera; Robert Boldin, artistic {…}
At last year’s Wexford Festival Opera I caught a recital by the largely unknown Polish baritone, Simon Mechlinski, and he made quite an impression. At the end of festival he received the Gerard Arnhold Bursary, an award made to a singer who is considered to have outstanding potential. This year he returned to Wexford and gave another recital, in addition {…}
(Photo: Clive Barda) Anyone who was fortunate enough to attend a performance of Rossini’s one act farsa “Adina” at this year’s Wexford Festival Opera, or managed to catch the broadcast on RTE’s Lyric FM could not fail to have been enthused by mezzo-soprano Rachel Kelly’s stunning interpretation in the title role. Since impressing on the Jette Parker Young Artists Programme {…}
(Photo: Michele Monasta) One of the delights of the Wexford Festival is the lunchtime recital which takes place in the mid-18th century church of St. Iberius on Wexford’s North Main Street each day at 1 o’clock. Lasting around an hour, it leaves just enough time for a quick lunch before the afternoon Opera Short presentation at Whites Hotel begins at {…}
(Photo: Clive Barda) There is certainly something of a Vivaldi revival going on in the opera world at the moment. In less than seven days, I managed to catch Irish National Opera’s splendid presentation of “Griselda,” the first ever production of a Vivaldi opera in Ireland, followed by Wexford Festival Opera’s production of “Dorilla in Tempe.” They employed two very {…}
Irish composer Charles Villiers Stanford (1852 – 1924) is a largely forgotten name in the opera world, being better remembered for his church and orchestral music. Occasionally, productions of his operas do crop up, but they tend to be performed by small-scale companies operating on the fringes. Recordings of excerpts from his operas do exist, and a live recording of {…}
(Photo: Paula Malone) Rossini’s one act farsa, “L’inganno felice,” premiered in 1812 at Venice’s Teatro San Moise and was an instant success for the young, 19-year-old composer. However, along with most of his other operas, it faded from view following his death in 1868. Even the renewed interest in Rossini’s work following the Second World War has done little to {…}
(Photo: Paula Malone) “Cinderella” is a popular subject for operas, and has attracted its fair share of composers over the years. However, one of the lesser known compositions must be by the French composer, Pauline Viardot, who today, is largely remembered as a famous mezzo-soprano for whom Gounod and Meyerbeer created important roles. However, her influence went much further, for {…}
David Agler took his final bow on stage on Nov. 2, 2019, as Artistic Director at the National Opera House after the closing performance of the 68th Wexford Festival Opera. During his final bow, Agler thanked both the company and the audience for their loyal support throughout the years, before formally handing over the reigns to the incoming Artistic Director {…}
(Photo: Clive Barda) Massenet’s “Don Quichotte” may not be an opera you would usually associate with Wexford. Judged a success at its premier in Monte Carlo in 1910, in which Chaliapin featured in the title role, it has since struggled to establish itself as part of the mainstream repertoire. It can, therefore, hardly be deemed a forgotten or rarely performed {…}
(Credit: Paula Malone) In 1856, the 18-year-old Georges Bizet won joint first prize in a competition for an opéra comique to be played at Offenbach’s theatre, the Bouffes-Parisienes, with a one act operetta, “Doctor Miracle.” The work was premiered in 1857, received 11 performances, and was then forgotten until it was revived in 1951. Lasting around one hour, with a {…}
