Q & A: Raffaella Lupinacci On Her Work At Wexford Festival Opera & Festival Della Valle D’Itria

Often attention is focused on the stars of the opera world, but below the stellasphere there exist thousands of other singers, directors, conductors, and musicians pursuing their careers. Some are fairly well established and make comfortable livings on the stage and in the concert halls, some struggle to maintain a full calendar, while others are winding down as retirement approaches, {…}

Wexford Festival Opera 2017 Review – Risurrezione: A Stunningly Beautiful Showcase Led By Anne Sophie Duprels That Demands Re-Examination of Alfano’s Art

Alfano is almost exclusively known today for completing “Turandot,” following Puccini’s untimely death in 1924, a commission he took reluctantly, and one which undoubtedly negatively affected his reputation as a composer in his own right. In fact, since Alfano’s death in 1954 almost all of his operas have disappeared from the stage, with the exception of “Cyrano de Bergerac,” which {…}

Wexford Festival Opera 2017 Review – The Dubliners: An Exciting Double Bill That Highlights Irish Turmoil

In 1914, James Joyce’s “The Dubliners” was published, in which he penned a number of portraits of lower-middle/middle class Dublin folk. The book painted a picture of Dublin as inward looking, parochial city, in which its people’s horizons were very low, in which they were at the mercy of the church, corruption, and their own and other people’s prejudice. They {…}

Wexford Festival Opera 2017 Review – La Scala di Seta: A Perfectly Entertaining, if Uneven, Performance

Wexford Festival Opera’s shortworks, performed during the afternoon at White’s, a local hotel, are small-scale productions of known and lesser-known works in a reduced format with piano accompaniment. The aim is to provide an opportunity for festival singers appearing in minor roles or the chorus to showcase their talents in more substantial roles. Of course, it also provides further opportunities {…}