
Opéra Comique 2022-23 Review: Armide
The main achievement of Opéra-Comique’s “Armide” production is to blend the staging with the performers’ own personas. That mixture resulted in an elevation of Gluck’s music and Quinault’s text through the performers’ engagement. Don’t get me wrong: Lilo Baur’s staging had some problems and did not aim as high as it could. The opera, however, shone, because its performers brought {…}










