After last year’s release of Donizetti’s “Il Paria” it is now the turn of Leoncavallo’s “Zingari” to be featured in a flawlessly produced recording by Opera Rara and its artistic director, Carlo Rizzi, at the helm of the Royal Philharmonic Orchestra. “Zingari” is the British label’s second dive into the veristic treasure-trove of Leoncavallo’s musical oeuvre and, as such, a {…}
Opera Rara is set to present Offenbach’s “La Princesse de Trébizonde” on Sept. 16, 2022 at the Queen Elizabeth Hall in London. The opera, which will feature Paul Daniel conduct the London Philharmonic Orchestra, will star Anne-Catherine Gillet, Virginie Verrez, Christophe Gay, Josh Lovell, Katia Ledoux, Antoinette Dennefeld, Loïc Félix, and Christophe Mortagne. This marks the UK premiere of the {…}
Opera Rara has announced its 2022-23 season. Here is the rundown of both performances and recordings the company will be making during the coming season. Performances The season opens with a performance of Mercadante’s “Il proscritto” with the Britten Sinfonia and Carlo Rizzi conducting. There will be a studio recording as well. Performance Date: June 28, 2022 The company will record {…}
Opera Rara will conclude its 50th anniversary celebration with a limited-edition boxset of three Donizetti operas composed during the 1830s. The box seat will include “Il diluvio universale,” “Ugo conte di Parigi,” and “L’assedio di Calais” and will feature remastered editions with the highest audio quality and accompanied by a newly commissioned essay by Donizetti specialist and Opera Rara’s Artistic {…}
Opera Rara has announced it will be recording Leoncavallo’s “Zingari.” The record company announced that it will record the rarely performed work and perform it at Cadogan Hall on Dec. 3 with a cast that includes Krassimira Stoyanova, Carlos Álvarez, Łukasz Goliński, and Arsen Soghomonyan. Carlo Rizzi, the company’s new Music Director will lead the Royal Philharmonic Orchestra. The new {…}
For eight years, Sir Mark Elder has been the Artistic Director of Opera Rara, a London-based opera company and recording label specializing in recording and performing forgotten operatic repertoire. In this capacity, Elder has discovered new pieces and has recorded and performed such works as Donizetti’s “Dom Sebastien,” “Imelda di Lambertazzi,” “Linda di Chamounix,” “Maria di Rohan,” “Les Martyrs” and {…}
Opera Rara has announced the release of Donizetti’s “Il Paria.” The new recording is set to be released on Jan. 15 by Warner Classics and marks the 26th complete opera by Donizetti for Opera Rara. Sir Mark Elder conducts the work with a cast that includes Albina Shagimuratova, René Barbera, and Misha Kiria. “Il Paria” was recorded in the studio {…}
(Credit: Russell Duncan/Opera Rara/ROH) A little over a year ago, Opera Rara, whose commitment is to record unknown, forgotten and rarely performed works from the 19th century, released a reconstructed version of Donizetti’s then-never performed “L’ange de Nisida.” This world premiere recording reveals the work to be an authentic Bel Canto jewel, providing deep immersion into Donizetti’s style of composition {…}
An Opera Rara is a love letter to Bel Canto fans. Not only does the company research, rediscover, restore, record, and perform the forgotten operatic heritage of the 19th century, but they offer it up to collectors in a vibrant and potent packaging that includes a generous booklet with a extended article about the opera, photos and lithographs from the {…}
In line with its commitment to promote the sidelined repertoire of the 19th century, Opera Rara has released the world premiere recording of “Le Willis,” the one-act opera that Puccini submitted to the Concorso Sonzogno and later turned into the revised version of “Le Villi.” Not only does it testify to the musical panorama of the pre-Verismo decades, it also {…}
Canadian-born soprano and teacher Ludmilla “Milla” Andrew has passed away. Andrew, writes Alexander Campbell for ClassicalSource, “is probably best remembered for her mettlesome dramatic voice that was heard to advantage in the dramatic corners of the repertoire.” She made her Canadian Opera Company debut in 1955 as the Foreign Woman in Menotti’s “The Consul” after completing her studies at Toronto Conservatory. She {…}
