Sir David McVicar has been directing opera for quite some time, working with such prominent companies as the Royal Opera House, English National Opera, Lyric Opera of Chicago, La Monnaie, and the Glyndebourne Festival Opera. He has also sustained a healthy relationship with the Metropolitan Opera, particularly in recent years where he has been given carte blanche to put together {…}
Bellini’s “Norma,” which premiered on Dec. 26, 1831, is arguably one of the finest operas to come out of the bel canto repertoire. Many consider it Bellini’s finest dramatic work overall and it features one of the most challenging roles for a soprano. In fact, sopranos have often been defined by their interpretation of the opera. Written by Felice Romani, {…}
Back in fall 2013, Sondra Radvanovsky sang her first “Norma” at the Met. A few performances later, Angela Meade and Jamie Barton stole the spotlight when they were paired together for the second cast of the opera. Now it is the 2017-18 season and the pattern has continued, with the inclusion of Marina Rebeka for two performances in between. While {…}
This is a review for the Oct. 20 performance. I would like to begin this review at the end, since the final impressions, sensations and overall reaction of the audience is the barometer which measures the overall impact of the performance. In the case of this “Norma,” the final curtain was greeted with a massive explosion of applause in the {…}
After a week full of high-profile releases, the offerings are rather sparse. The main offering highlights the work of a famed conductor and his operatic legacy. Another highlights a production of one of the greatest operas of all time. Claudio Abbado: The Opera Edition Also available throughout Europe is a 60-disc set entitled “Claudio Abbado: The Opera Edition.” Among the operas {…}
The Metropolitan Opera’s famed Live in HD series kicks off this weekend with a broadcast performance of Bellini’s “Norma.” The performance, which takes place on Oct. 7, 2017, will feature Sondra Radvanovsky in the title role with Joseph Calleja as Pollione, Joyce DiDonato as Adalgisa, and Matthew Rose as Oroveso. The production is directed by Sir David McVicar. Carlo Rizzi {…}
The Metropolitan Opera launched its 2017-18 season with its usual flash and sparkle, ushering celebrities onto the red carpet for their turn at the step and repeat as droves of opera fans in their black tie best bustled under the crystal chandeliers. The house was abuzz from the very start: patrons chattering in excitement even after the lights went down. {…}
Maestro Carlo Rizzi has led over 180 performances at the Met and when all is said and done in 2017-18, he will have topped 200 performances with the company. He has led works by such composers from a vast range of Italian composers including Puccini, Verdi, Donizetti, and Rossini. Of all the works he has conducted, “La Bohème” has been {…}
A Metropolitan Opera season will start with Bellini’s “Norma” for the third time in its history when Sondra Radvanovsky, who conquered the role at the Met a few years back, takes it on on Sept. 25, 2017. Radvanovsky will join a long line of famous sopranos that have taken on the opera with the company, beginning with Lilli Lehman, who {…}
Elīna Garanča is one of the most famous singers of the modern opera world. Born on Sept. 16, 1976, the Latvian mezzo has gone from bel canto specialist to a dominant singing actress in the dramatic repertoire. Known for her vocal prowess and technical perfection (have you ever heard her struggle with any vocal line?), she is also an imaginative {…}
Sondra Radvanovsky’s big year continues, as the soprano was among the winners of the 2017 Dora Awards. She was given the award for Outstanding Female Performance for her interpretation of “Norma” at the Canadian Opera Company. She beat out Jane Archibald in “Ariodante” at COC, Christine Goerke in Götterdämmerung at COC, Carla Huhatanen in “Rocking Horse Winner at a Tapestry {…}