Liudmyla Monastyrska is one of the most in-demand Verdi sopranos of her time. Just look at her repertoire and engagements and you will see that the Ukrainian soprano has run the gamut of the great composer’s repertoire. From the earliest works to “Aida,” Verdi’s final dramatic soprano role, Monastyrska has deep knowledge of Verdi’s artistic development. Among the roles that {…}
Elza van den Heever will not perform the final “Norma” at the Dallas Opera. In her stead soprano Aviva Fortunata will take on the lead role for the performance on Sunday, May 7, 2017. Fortunata performed the role of the priestess this past fall at the Canadian Opera Company. The Calgary native was a finalist in the 2016 Operalia Competition {…}
“It’s like having a crime and then trying to justify it and find why it was committed.” That is how soprano Marina Rebeka, currently making her role debut as Donna Elvira at the Metropolitan Opera, approaches every single opera role or artistic endeavor she takes on. The soprano recently spoke with OperaWire regarding her upcoming projects, putting a spotlight on {…}
Mezzo-soprano Dolora Zajick is synonymous with Verdi. She’s been the leading Azucena at the Metropolitan Opera house over the last few years, singing the role a whopping 58 times since her debut on October 8, 1988, also in that very role. In Verdi’s “Aida,” she has performed the role of Amneris 80 times at the house. Throw in 17 performances {…}
A new opera starts its life on Saturday while a rarity gets its premiere in a major city and a modern masterwork arrives in our nation’s capital. Yes, opera is finally starting to bloom around the States, with many smaller companies getting in on the act. Arizona Opera is showcasing the world premiere of Bohmler’s “Riders of the Purple Sage.” {…}
Prepare yourself for two high profile premieres this weekend on opposite sides of the country. On Saturday, the Los Angeles Opera lifts the curtain on “Salome” starring Patricia Racette in the role that she dominated at the Metropolitan Opera. Regarding her performance OperaWire wrote, “she dominated the stage in one of her greatest achievements on the Met stage.” Another major {…}
Often when we react to a flood of news, like a new opera season, it is easy to dwell on some of the negatives, such as which of your favorites are now showing up or which operas got the boot for yet another season. But the beauty of a new season is ultimately the gems that we will get to {…}
One of the most hotly anticipated parts of every Met Opera season has to be the Live in HD Series. Arguably the most successful aspect of Peter Gelb’s tenure with the company, the video recordings of live performances work on so many levels. Not only do they connect with audiences worldwide, but they immortalize performances and interpretations of beloved works {…}
The Metropolitan Opera has announced its 2017-18 season and as promised, it contains a lot of hotly anticipated productions and performances. Here is a quick rundown with OperaWire set to include additional content throughout the day. The New Productions The Metropolitan Opera season will feature five new productions. David McVicar’s new production of Bellini’s “Norma” will open the season on {…}
The Lyric Opera of Chicago continues its 2016-17 season in a big way when it showcases Bellini’s masterful “Norma” on its stage this Saturday. The production will feature Sondra Radvanovsky, who has dominated the title role all around the world. Conductor Riccardo Frizza recently told OperaWire that working with Radvanovsky on this role is a revelation because she is “fully {…}
Every major discipline has its proverbial “Mount Everest,” the pinnacle achievement. The moment of “arrival” in which the person can feel a sense of accomplishment that few others, or only the true greats, have accomplished. In the soprano operatic repertoire, Bellini’s “Norma” is often viewed as that proverbial peak due to its taxing and wide-ranging nature. Lili Lehmann, one of {…}