The Cincinnati Opera has announced a number of new appointments and projects in support of its renewed dedication to the areas of diversity, equity, and inclusion. Patricia K. Beggs, the Harry Fath General Director & CEO of Cincinnati Opera, said in a press release, “Cincinnati Opera has been committed to increasing the diversity of our board, staff, Guild, and artists since {…}
I preface this by stating that this review is for the performance on March 31, 2017. I would also like to recognize that this is just one, performance of a seven-performance run. In an ideal situation, I would attend every performance and write a detailed review of the overall work. As it stands, I can only go on my perspective of one performance. Despite being such a familiar opera, {…}
It is Black History Month, a time to celebrate the achievements of the black community and how they have affected change around the world in all areas. The opera world is no exception with many great black artists dominating around the globe in the biggest theaters there are. As a month-long celebration, OperaWire will provide weekly features that embrace the {…}
New Years weekend will not be particularly active in the American opera scene. Only three major companies will make their respective presences felt as the calendar turns from 2016 to 2017. The Metropolitan Opera will continue its full slate of operas, showcasing three works to end the year. There will be two performances given on Friday, December 30. At 12 {…}
Christmas weekend presents a quandary for major opera companies as attendance hits a snag for a few days as people stay home and spend time with families. Despite that, there is one company that is braving the circumstances and keeping those opera lovers satisfied with performances through the holiday. The Metropolitan Opera will showcase its production of The Magic Flute {…}
Mozart’s “The Magic Flute” returns to the stage of the Metropolitan Opera on Tuesday at 7:30 for a run of seven performances. The Opera Mozart’s last opera premiered on Sept. 30, 1791 at Schikaneder’s theatre, two months before the composer’s untimely death. Originally titled “Die Zauberflote” and sung in German, the work has been a popular fixture among younger audiences {…}
