(Photo: Raftermen Photography) The Atlanta Opera (TAO) thrives and even expands while many classical music organizations contract. Their spring mainstage offerings began this month with Verdi’s “Macbeth. ” But not before the announcement of their 2025-26 season, including what few companies can afford to do—“Götterdämmerung,” completing an entire “Ring” cycle. Their season also includes Philip Glass’ “La Belle et la {…}
Morris Robinson has joined the roster of TACT Artist Management. The bass will be represented by Alex Grigorev and Samuel Levine. Robinson is one of the most sought-after singers performing today and sings regularly at the Metropolitan Opera debut. He also performs at the San Francisco Opera, Lyric Opera of Chicago, Houston Grand Opera, Dallas Opera, Teatro alla Scala, Volksoper {…}
The Dallas Opera has announced its 2025-26 season. Mainstage The season opens with Bizet’s “Carmen.” The company will present the United States premiere of a new production that recreates the original Opéra-Comique production with sets and costumes faithfully designed as they were in 1875. The production will be directed by Romain Gilbert. Marina Viotti sings the title role in her company {…}
The Cincinnati Symphony Orchestra has announced its 2025-26 season. Here is a look at the vocal highlights. Matthias Pintscher conducts the May Festival Chorus in Sergei Rachmaninoff’s “The Bells.” The program also includes Hector Berlioz’s Symphonie fantastique. Performance Dates: Nov. 8 & 9, 2025 Lauren Snouffer, Sasha Cooke, Nicholas Phan, and Jonathan Lemalu perform George Frideric Handel’s “Messiah.” Cristian Măcelaru conducts. Performance {…}
The Atlanta Opera has unveiled its 2025-26 season. Verdi’s “La traviata” directed by Francesca Zambello opens the season. Soprano Mané Galoyan sings the role of Violetta, she is joined by tenor Long Long, and baritone Anthony Clark Evans. Evan Rogister conductors. Performance Dates: November 8, 11, 14, & 16, 2025 Up next is “La Belle et la Bête” by Phillip {…}
The Metropolitan Opera has announced a cast change for “Aida.” The company said that Harold Wilson will sing The King in the remaining January performances of Verdi’s “Aida” at the Metropolitan Opera. Morris Robinson will take over the remaining performances of Ramfis replacing the originally scheduled Dmitry Belosselskiy. Belosselskiy sang the first performance of the run on Dec. 31, but later {…}
The Metropolitan Opera has announced a new cast change for its Jan. 10 performance of “Aida.” The company said that Morris Robinson will sing the role of Ramfis replacing Dmitry Belosselskiy, who is ill. Harold Wilson will sing the role of The King taking over for Robinson. This is the latest change for the production as Belosselskiy canceled both Jan. {…}
(Credit: Ken Howard / Met Opera) Verdi’s “Aida” will be the next HD in the Metropolitan Opera Live in HD series. The new production of “Aida” opened on Dec. 31 to controversy and mixed reviews with OperaWire noting, “Mayer’s production was passable, especially by his standards. Whether the execution justified its own existence is certainly a question for those managing {…}
The Metropolitan Opera has announced a new cast change for its Jan. 4 performance of “Aida.” The company said that Morris Robinson will sing the role of Ramfis replacing Dmitry Belosselskiy, who is ill. Harold Wilson will sing the role of The King taking over for Robinson. This is the latest change following a very controversial opening night. Piotr Beczala {…}
(Credit: Paola Kudacki / Met Opera) The Metropolitan Opera is set to present a new production of Verdi’s “Aida.” The new production will open on Dec. 31, 2024, and will be directed by Michael Mayer, who has already been in charge of the Met’s productions of “Grounded,” “Rigoletto,” “La Traviata,” and “Marnie.” This will be the first new production of {…}
Cincinnati Opera has announced its 2025 season celebrating its 105th anniversary season. In a statement General Director Christopher Milligan said, “We’re thrilled to invite audiences to experience our 2025 Summer Festival, a season that reflects our commitment to both tradition and exploration. We aspire to offer accessible points of entry to enjoy opera, and we hope that productions like Fiddler on {…}
