The Salzburg Festival has announced its 2020 season celebrating its 100th anniversary with a number of operatic productions from many repertory staples and numerous rarely performed gems. Here is a look at the operatic works to be performed. Opera Franz Welser-Möst is set to conduct a new production of R. Strauss’ “Elektra” with Krzysztof Warlikowski. Aušrine Stundyte sings the title {…}
The Lyric Opera of Chicago is set to present “Don Giovanni’ in a production by Robert Falls. The revival of the production that premiered during the 2014-15 season will star Ildar Abdrazakov and Davide Luciano, both making Lyric debuts in the title role. They will appear alongside Rachel Willis-Sørensen as Donna Anna and Ben Bliss as Don Ottavio. Other cast {…}
The BBC Proms has announced its 2019 festival featuring some of the great singers, performers and orchestras in the world. For this season announcement we will concentrate on the vocal performances. Omer Meir Wellber leads the BBC Proms Youth Choir and BBC Philharmonic in Haydn’s “The Creation.” He is joined by soloists Sarah-Jane Brandon, Benjamin Hulett, and Christoph Pohl. Performance Date: July 29, {…}
The Teatro Real has announced its 2019-20 season featuring seven Teatro Real premieres and three Spanish premieres. Here is a look at what to expect. The season opens with Verdi’s “Don Carlo“ with Nicola Luisotti conducting a production by David McVicar. The opera returns after a 14 year absence with Francesco Meli, Andrea Carè, and Alfred Kim sharing the title {…}
The Lyric Opera of Chicago has announced its 2019-20 season featuring 10 productions, including four new productions and the Ring Cycle in its entirety. The season will also include one special concert event and one important recital, among other projects. Here is a look at what audiences should expect. Main Stage The season opens with a revival of Rossini’s “Il {…}
During its 350th anniversary season, the Opéra National de Paris presented a new production of one of the most difficult and controversial Verdi’s operas, “Simon Boccanegra.” With a solid cast and no boundaries of interpretation, Calixto Bieito decided to tell a recklessly modernized story, with characters seemed prohibited from interacting with one another and simply had to ignore each other {…}
