“Don Carlos” or “Don Carlo?” In French or Italian? Four acts or five? Three hours or four? Paris, Naples, Milan or Modena version? Pas de deux or pas de nul? Verdi’s longest opera is so full of revisions, rewrites, authorized or impious corrections, it is impossible to nominate a definitive score. The master music dramatist tinkered with this opera for 20 {…}
This week will feature three high profile releases, allowing for a unique exploration of music from some of the most recognized performers around the world. Russian Light Olga Peretyatko returns with a new album for Sony Classical. This time she explores the Russian repertoire in works by Rimsky-Korsakov, Glinka, Rachmaninoff, Stravinsky and rare pieces from Shostakovich. The album is conducted by {…}
On April 12, Rossini’s “La Gazza Ladra” returns to the Teatro alla Scala, the house where it first premiered in 1817. In honor of the opera’s 200th anniversary Rossini expert, Riccardo Chailly conducts the work in a move to return the Bel Canto repertoire to La Scala. Meanwhile, famed film director Gabriele Salvatores makes his La Scala debut. Salvatores is {…}