The Hungarian State Opera has announced its 2019-20 season featuring a number of new productions and world premieres. Premieres Levente Gyöngyösi’s “The Master and Margarita” makes its world premiere in a new production by Szente Vajk. Performance Dates: Nov. 15, 2019 – May 28, 2020 Dóra Barta directs a new production of Monteverdi’s “L’incoronazione di Poppea.” Performance Dates: Dec. 6-29, 2019 {…}
(Credit: Sven Helge Czichy) The Staatstheater Wiesbaden has announced its 2019-20 season, featuring seven new productions and a number of stars. Here is a look at what the season will offer. New Production Patrick Lange conducts a new production of Bizet’s “Carmen” by Uwe Eric Laufenberg. Lena Belkina stars in the title role with tenors Sebastien Gueze, Aaron Cawley, and {…}
The Staatsoper Berlin has announced its 2019-20 season, which will feature 10 new productions in addition to numerous revivals. Production premieres It all starts with Otto Nicolai’s “The Merry Wives of Windsor” with Daniel Barenboim conducting and David Bösch. René Pape will interpret the role of Falstaff with the remaining cast members including Michael Full, Wilhelm Schwinghammer, Pavol Breslik, Linard {…}
The Théâtre Champs-Élysée has announced its 2019-20 season featuring five opera productions, numerous concert performances, operas in concerts, a Beethoven celebration and a number of recitals. For this season announcement we have narrowed it down to only vocal or operatic performances. Here is a look at the massive season. Deborah Cohen directs a new production of Mozart’s “Don Giovanni” with {…}
The Deutsche Oper Berlin has announced its 2019-20 season, which will include six new productions and dozens of revivals with some of opera’s greatest stars. New Productions The first new production of the season will be Verdi’s “La Forza del Destino.” The production will be directed by Frank Castorf and will star Russell Thomas and Marcelo Alvarez as Don Alvaro. {…}
As January continues, many of the opera companies are back in session with a number of revivals and new productions on offer. The focus of this weekend’s major choices will be numerous repertory standards. Arabella – Théâtre des Champs Elysées, France Anja Harteros sings her signature role alongside a cast that includes Kurt Rydl, Doris Soffel, Hanna-Elisabeth Müller, and Michael Volle. {…}
This weekend, OperaWire goes a little traditional in its weekend offerings. Granted if you look at the list many of the works recommended are not the most popular. Instead, there are rarely performed works, role debuts, and in the case of one production, a legendary showcase that has to be seen every time it is on stage. Here is a look {…}
Do you like your Verdi? Or how about your Strauss? Maybe you are more interested in modern works that are rarely heard or performed. Well this weekend has that and much more. So buckle in and behold our choices for the top five operas we are pumped to see this weekend. Die Frau Ohne Schatten – Berlin State Opera, Germany {…}
Two new releases will hit the marketplace this week, including a rarely performed Bel canto gem and Wagner comic masterpiece. Here is a look at what audiences can look forward to. Maria di Rudenz Donizetti’s rarely performed work gets a new recording by Bongiovanni. The new release comes from the Bergamo Festival and stars Maria Billeri, Ivan Magri, and Dario {…}
It’s a weekend of role debuts, production debuts and continuing runs. It’s also a weekend to see rare works, as well as repertoire staples. Aida – Teatro Colón, Argentina The Teatro Colón opens its production of Verdi’s masterpiece with Latonia Moore starring in the title role and Nadia Krasteva as her rival Amneris. Riccardo Massi, Mark Rucker, and Roberto Scandiuzzi also star {…}
Written in collaboration with David Salazar It’s been years in the making – Anna Netrebko singing “Tosca.” The soprano has been outspoken about her dislike for the character and about her doubts singing the role, but it’s a character that audiences have been dying to see her sing. Afterall, who but Netrebko can be considered the quintessential diva of the {…}