“Opera Meets Film” is a feature dedicated to exploring the way that opera has been employed in cinema. We will select a section or a film in its entirety, highlighting the impact that utilizing the operatic form or sections from an opera can alter our perception of a film that we are viewing. This week’s installment is the mega-blockbuster hit {…}
Kyle Ketelsen has been announced as the winner of the 2018 “Maria Callas Debut Artist of the Year” Award. The Dallas Opera announced that the American bass-baritone won the award for his portrayal of Leporello. The prestigious award is given to a single performer each season in recognition of a particularly memorable and outstanding company debut. Ketelsen won the 1998 Metropolitan Opera National {…}
“Opera Meets Film” is a feature dedicated to exploring the way that opera has been employed in cinema. We will select a section or a film in its entirety, highlighting the impact that utilizing the operatic form or sections from an opera can alter our perception of a film that we are viewing. This week’s installment features “The Young Victoria.” {…}
“Opera Meets Film” is a feature dedicated to exploring the way that opera has been employed in cinema. We will select a section or a film in its entirety, highlighting the impact that utilizing the operatic form or sections from an opera can alter our perception of a film that we are viewing. This week’s installment, given the start of {…}
“Opera Meets Film” is a feature dedicated to exploring the way that opera has been employed in cinema. We will select a section or a film in its entirety, highlighting the impact that utilizing the operatic form or sections from an opera can alter our perception of a film that we are viewing. This week’s installment we will take a {…}
March Madness is coming to a close. With it, we’ve gone through memorable mad scenes in opera, breathtaking historic moments, and a little bit of musical history on Lucia’s famous mad scene. To close this year’s series, I want to go through my favorite recordings of “Lucia di Lammermoor.” We’ve focused a lot on this opera as it has the {…}
Legendary Spanish soprano María Bayo will play Maria Callas. The soprano, whose career has seen her inhabit numerous coloratura roles will turn to the stage for Terence McNally’s famed play “Master Class.” The play, which remembers’s Callas’ legendary masterclasses at Juilliard, will begin on March 15, at the Teatre Borràs de Barcelona under the direction of Marc Montserrat-Drukker. The play {…}
The Metropolitan Opera Guild has announced new programs for the 2018 season. Among the new programs added to the Schedule are “In the Mouth of the Wolf,” “Maria Callas at Ninety-Five – A Birthday Salute,” and “Celebrating Historic Met Moments.” “We are pleased to announce some new and additional programming for Spring 2018,” said Stuart Holt, Director of School Programs and {…}
Maria Callas is arguably THE greatest opera star in history. Born on Dec. 2, 1923, the Greek singer (who was born in New York City) would become a turning point in the history of the art form, with some going so far as to claim there was a period “Before Callas” and one “After Callas.” Leonard Bernstein called her “The {…}
“Opera Meets Film” is a feature dedicated to exploring the way that opera has been employed in cinema. We will select a section or a film in its entirety, highlighting the impact that utilizing the operatic form or sections from an opera can alter our perception of a film that we are viewing. This week’s installment features Jonathan Demme’s “Philadelphia.” {…}
It’s the holiday season and that means gift buying and making difficult choices. As a result, OperaWire has lightened the task as we chose albums from some of our favorite artists and our key recommendations from the hundreds of releases from 2017. Maria Callas If you are going to spend money this year, Maria Callas: The Live Recordings is OperaWire’s {…}