The National Philharmonic has announced its 2024-2025. Here is a look at the vocal performances. Verdi’s Requiem will be conducted by Victoria Gau and will star Amber Monroe, Magdalena Wor, Rafael Moras, and Zaikuan Song. Performance Date: Nov. 23, 2024 at The Music Center at Strathmore Händel’s “Messiah” with Baltimore Choral Arts Society will be conducted by Anthony Blake Clark and will {…}
The Oratorio Society of New York has announced its 2024-25 season. Soprano Eva Martinez makes her Carnegie Hall debut in “Carmina Burana.” She is joined by tenor John Riesen, baritone John Brancy, choristers of the Cathedral of St. John the Divine, and pianists Amir Farid and Blair McMillen. The concert features works by Orff, Brahms, Oliver Caplan, and Libby Larsen. {…}
North Carolina Opera has released its casting for “The Barber of Seville,” which will take place Feb. 2 and 4, 2024. Baritone Luke Sutliff takes on the leading role of Figaro. Bass-baritone Musa Ngqungwana sings Don Basilio, with tenor David Walton as Count Almaviva, mezzo-soprano Lisa Marie Rogali as Rosina, who is joined by bass-baritone Ben Brady as her guardian, {…}
The National Philharmonic is set to present its annual “Messiah” performances, conducted by Music Director Piotr Gajewski. The performances will be held at the Strathmore and Capital One Hall. The oratorio will star soprano Aundi Marie Moore, mezzo soprano Lucia Bradford, tenor Norman Shankle, and baritone Jorell Williams alongside the Baltimore Choral Arts Society. In a statement, Gajewski said, “In {…}
The Oratorio Society of New York led by Music Director Kent Tritle is set to open its 150th Anniversary and 2023-2024 season on Nov. 6, 2023. The concert will showcase Bach’s Magnificat and Mozart’s Requiem at the Stern Auditorium / Perelman Stage at Carnegie Hall. The concert will feature soloists Laquita Mitchell, soprano, Lucia Bradford, mezzo-soprano, Eric Finbarr Carey, tenor, {…}
The New York Festival of Song is set to present “Perennials – Songs For Every Season” on Sept. 28, 2023 at Merkin Hall at Kaufman Music Center. Co-created and co-hosted by pianists Steven Blier and Peter Dugan, “Perennials” celebrates the steadying power of music to guide us through the year with works by Fauré, Strauss, Toldrà, Sondheim, Carole King, and {…}
On May 15, 2023, the New York Festival of Song will host its annual spring gala, “Feelin’ Groovy: Songs from the 60s.” Held at the Racquet & Tennis Club on Park Avenue, the gala will support NYFOS’ 35th season. There will be a performance featuring special guest artists including Julie Benko of Broadway’s “Funny Girl,” jazz pianist Jason Yeager, tenors {…}
The Harlem Chamber Players will celebrate its 15th anniversary with “Harlem SongFest II,” a summer concert to be presented on June 9, 2023, at Columbia University’s Miller Theater. The event features music by Black composers—women included—and a lineup of accomplished singers. Dedicated to bringing exceptional classical music to Harlem, the Ensemble will feature sopranos Janinah Burnett and Jasmine Muhammad, baritone {…}
The Oratorio Society of New York is set to present Mendelssohn’s “Elijah.” Led by Music Director Kent Tritle, the concert will be presented on May 9 at the Auditorium / Perelman Stage at Carnegie Hall. The oratorio will feature such soloists as soprano Susanna Phillips, mezzo-soprano Lucia Bradford, tenor Isaiah Bell, baritone Justin Austin, and treble Zachary Whelan. “Elijah” is {…}
On April 9, 2022, The Oratorio Society of New York is set to present the 45th Lyndon Woodside Oratorio-Solo Competition Finals Concert, held at Carnegie Hall’s Weill Recital Hall. Eight emerging artists will be selected to perform before a panel of distinguished judges, with prizes ranging from $7k-1k. The selected artists and repertoire will be announced in the coming days. {…}
New York-based Dessoff Choirs has announced its 2021-22 season. The season kicks off with “Considering Matthew Shepard,” a three-part fusion oratorio about the young, gay student who was kidnapped, tortured, and left to die. The work features texts by Hildegard of Bingen, Lesléa Newman, Michael Dennis Browne, and Rumi as well as passages from Matthew’s personal journal and the words {…}