Q & A: Director Thomas Guthrie On Utilizing Puppetry For ‘L’Orfeo’

(Credit: Theresa Pewal) When audiences check out Monteverdi’s “L’Orfeo” on July 5 and 7, 2019 at the York Early Music Festival and LOS St. Luke’s London, they will see the iconic opera utilizing puppetry and ancient Greek theatrical techniques. Developed under director Thomas Guthrie, with the cooperation of students at Princeton University, these techniques will showcase one of the Guthrie’s {…}

OperaVision Live Stream 2018: Monteverdi’s ‘L’Orfeo’ From New Belgrade Opera

OperaVision will showcase Monteverdi’s “L’Orfeo” live from the New Belgrade Opera on Thursday, Jan. 4, 2018 starting at 7 p.m. local time. The opera stars Nikola Diskić in the title role, Antonia Dunjko as Euridice and Musica, Radoslava Vorgić as Prosperina and Nifa, Dragana Popović as Messaggera and Speranza, Marko Špehar as Plutone and Caronte, as well as Marijana Radosavljević, {…}

Teatro Olimpico Review 2017 – L’Orfeo: Strong Singing & Gorgeous Theater Deliver Memorable Evening

No apologies are made for starting this review of Monteverdi’s “L’Orfeo” with a description of the venue, Vicenza’s Teatro Olimpico, which must count as one of the world’s most beautiful and architectural significant theatres. Designed by Palladio in 1580, it was described by Goethe as “a theatre based on the ancient model, but in small proportions and indescribably beautiful…”. Palladio {…}

The Chautauqua Opera Company 2017 Review – L’Orfeo: Respighi’s Orchestration of the Monteverdi Masterwork Asserts the Power of Music

“L’Orfeo” debuted in 1607, as Capt. John Smith sailed across the Atlantic to found a settlement in Jamestown, Virginia. It is the oldest opera in the repertoire. So for it to have an American premiere of any sort in 2017 is remarkable. But on Saturday, July 8th, 2017, the Respighi orchestration of Monteverdi’s version of the tale of Orpheus and {…}

Opera North To Feature AV Showcase of ‘L’Orfeo’ At Latitude Forest

Opera North will take over the Latitude Festival from July 13 to 16 with “Underworld,” an audio-visual installation based on Monteverdi’s famed “L’Orfeo” at the Faraway Forest. The installation will feature several recordings from the opera including baritone Simon Keenlyside in the lead role. The recording was originally made for “She, So Beloved,” an installation by cult animators The Brothers Quay, {…}