(Credits: © Dario Acosta / © Gregor Hohenberg / Sony Classical / © Gregor Hohenberg / Sony Music Entertainment / © Tatiana Vlasova / © Dario Acosta) The Wiener Konzerthaus has announced its 2021-22 season featuring a variety of concerts from some of the world’s greatest performers. For the purpose of this article, we will only focus on the vocal {…}
(Credits: © McQueen / Deutsche Oper am Rhein official website / © Jean-Baptiste Millot / Jiyang Chen) Opéra National du Rhin in Strasbourg, France has announced its 2021-22 season. Here is the full slate. Operas Hans Abrahamsen’s “The Snow Queen” will spotlight Lauren Snouffer, Rachael Wilson, Helena Rasker, David Leigh, Michael Smallwood, Owen Willetts, Floriane Derthe, and Moritz Kallenberg. Robert {…}
(Credit: Marco Borggreve) The Royal Concertgebouw Orchestra in Amsterdam has announced the appointment of Hungarian conductor Iván Fischer as its new Honorary Conductor. Fischer is the third Honorary Conductor of the Royal Concertgebouw Orchestra, following Bernard Haitink and Riccardo Chailly and his tenure will begin in the 2021-22 season. The Maestro recently conducted Monteverdi’s “L’Orfeo” at Grand Théâtre de Genève, Verdi’s {…}
(Credits: Todd Rosenberg / © Marco Borrelli / OnP / Sarah Bousasse) L’Opéra Comique in Paris has announced its 2021 season. Here is the full slate. Jean-Joseph Cassanéa de Mondonville’s “Titon et l’Aurore” will feature Reinoud Van Mechelen, Gwendoline Blondeel, Julie Roset, Emmanuelle de Negri, Marc Mauillon, and Renato Dolcini. William Christie will conduct the production by Basil Twist. The performances {…}
(Credit: La Compagnia del Madrigale official website) Italian bass Daniele Carnovich has died at the age of 63. Carnovich graduated from the Conservatorio C. Pollini di Padova. He initially obtained a degree in the modern transverse flute, and then became fully devoted to the vocal studies. He subsequently specialized in the baroque repertoire. The bass had begun his concert activity {…}
(Credits: Cross/Staatstheater Cottbus official website / Hupfeld/Staatstheater Cottbus official website) The Staatstheater Cottbus has announced its incoming 2020-21 season, featuring several new operatic productions and orchestral works. Here is the look. Premieres – Musiktheater Cottbus The Musiktheater Cottbus will present several new productions. The cast has been announced for the first production of the season, with other casts set to {…}
(Credit: www.glossamusic.com) Italian conductor and countertenor Claudio Cavina has died at the age of 58. In 2016 Cavina suffered a stroke and had struggled with his health ever since. Cavina was one of the most important Italian countertenors of his generation. He began his vocal studies in Bologna, and continued his training at the Schola Cantorum Basiliensis. He performed globally {…}
(Credit: Theresa Pewal) When audiences check out Monteverdi’s “L’Orfeo” on July 5 and 7, 2019 at the York Early Music Festival and LOS St. Luke’s London, they will see the iconic opera utilizing puppetry and ancient Greek theatrical techniques. Developed under director Thomas Guthrie, with the cooperation of students at Princeton University, these techniques will showcase one of the Guthrie’s {…}
I Fagiolini and Robert Hollingworth are set to work alongside director Thomas Guthrie and designer Ruth Paton to showcase Monteverdi’s “L’Orfeo” at the York Early Music Festival on July 5, 2019 with an additional showcase at LSO St. Luke’s in London on July 7. The production is set to utilize ancient Greek techniques of masks and puppets to tell the {…}
Claudio Monteverdi is by many considered to be the “father of opera.” His greatest works in the genre are among the first to survive, with one of them a major fixture of the standard repertoire. Monteverdi was baptized on May 15, 1567, and developed an extensive career first at the Court of Mantua and then at the Republic of Venice. {…}
Widely considered among the first operas, “L’Orfeo” made its premiere sometime during the 1607 Carnival season in Mantua, Italy. Though it fell out of performance shortly after the death of Monteverdi, it enjoyed a great revival in the 19th century which led to many fully-staged productions later on. The opera draws upon the Renaissance era’s many compositional techniques, melding them {…}