(Photo credit: SF/Marco Borrelli) The ending of “Capriccio” has often been praised; less has been said out loud about how never ending the rest of the opera is. Performed in a concert version, with little to no theatrical movement, it lasts for almost an eternity. Perhaps I am being too harsh. Although “Capriccio” is far from a magnum opus, it is {…}
The Teatro alla Scala has announced its 2024-25 Season. Opera The season opens with Verdi’s “La Forza del Destino” starring Anna Netrebko, Jonas Kaufmann, Ludovic Tézier, Vasilisa Berzhanskaya, Alexander Vinogradov, and Marco Filippo Romano. Riccardo Chailly conducts the new production by Leo Muscato. The opera will also star Elena Stikhina, Amartuvshin Enkhbat, Luciano Ganci, and Simon Li in the second {…}
The Chicago Symphony Orchestra has announced its 2024-25 season. Here are the vocal performances. Nicholas Kraemer conducts a program that includes the music of Händel, Beethoven, and Mozart. Soloists include Amanda Forsythe, Aryeh Nussbaum Cohen, Josh Lovell, and Michael Sumuel. Performance Dates: Oct. 17-19, 2024 Fabien Gabel and Konstantin Krimmel team up for a program of music by Britten, Mahler, {…}
The production history of Jacques Offenbach’s “La Princesse de Trébizonde” is convoluted to say the least. It premiered twice, once in Baden-Baden and once at the Bouffes-Parisiens in 1869. In between both versions, it was reworked extensively; pastiches from the unpublished “La Baguette” were removed and Offenbach wrote a whole new act in a bid to align the narrative of {…}
©Sandrine Expilly The world premiere of Antonio Salieri’s opera “Kubla Khan” (“Cublai, Gran Kan De Tartari”) is among the many highlights of Christophe Rousset and Les Talens Lyriques’ 2023-24 season. Here is the full rundown of what audiences can expect this year. Starting off, sopranos Marie Lys and Judith van Wanroij perform “Ave Maris Stella” with Christophe Rousset at the {…}
The Canadian Opera Company’s free concert series at the Richard Bradshaw Amphitheatre runs September through May. This article only includes classical vocal works. First up is “Meet the Ensemble Studio.” The company’s artistic development program is comprised of emerging professional Canadian opera artists. Performance Date: September 20, 2023 “Mostly Mozart” is performed by UofT Opera. Performance Date: September 27, 2023 {…}
The Theater an der Wien has announced its 2023-24 season featuring opera productions and opera in concert. Opera Jérémie Rhorer conducts Donizetti’s “Les Martyrs” with Cezary Tomaszewski directing. Roberta Mantegna and John Osborn lead the cast, which also includes Mattia Olivieri, David Steffens, Nicolò Donini, and Patrick Kabongo. Performance Date: Sept. 18-28, 2023 Philip Venables’s “Denis & Katya” will star {…}
Opera Rara is set to present Offenbach’s “La Princesse de Trébizonde” on Sept. 16, 2022 at the Queen Elizabeth Hall in London. The opera, which will feature Paul Daniel conduct the London Philharmonic Orchestra, will star Anne-Catherine Gillet, Virginie Verrez, Christophe Gay, Josh Lovell, Katia Ledoux, Antoinette Dennefeld, Loïc Félix, and Christophe Mortagne. This marks the UK premiere of the {…}
The Bayerische Staatsoper has announced a cast change for its production of “Der Rosenkavalier” The company noted that tenor Josh Lovell will step in as the Italian singer for the performance on May 15 replacing Galeano Salas. Lovell is an ensemble member with the Wiener Staatsoper and the winner of the 39th International Hans Gabor Belvedere Singing Competition. This season {…}
(Credits: Michael Cooper / Dario Acosta / Sonya Yoncheva official website / © Gregor Hohenberg / Gregor Hohenberg / Sony Music Entertainment) The Teatro alla Scala in Milan has announced its 2021-22 season, featuring some of the greatest performers in the world. Here is the full slate. Operas Anna Netrebko and Luca Salsi open the season in Verdi‘s “Macbeth” in {…}
Opera has always been known as the instrument of psychic and social health. But last year it also became a risk of physical health. Just when we needed culture the most, 2020 became a year of pandemic and a year without opera. Therefore both artists and opera institutions are confronting a crisis of their own. The arts generated a greater {…}