The International Contemporary Ensemble has named Billy Fidler to the position of Executive Director. Fidler is a percussionist who has held several development roles with such institutions as Park Avenue Armory, St. Ann’s Warehouse, City Parks Foundation, and the Mellon Foundation. He was also the Campaign Director for the NYC Green Fund. “I am honored to join the International Contemporary {…}
Columbia University’s Miller Theatre announces its line up for the 2025-26 season. This article only features classical voice works. The season opens with a special concert in honor of Tania León, the 2025 recipient of the William Schuman Award given by Columbia University School of the Arts. The program showcases her body of work. Sorpanos Rachel Doehring Jackson and Sophie {…}
(Photo credit: Martin Schalk) The Philharmonie de Paris in collaboration with the French Ministry of Culture presents “2025 Boulez Year.” This selection of events will celebrate the centenary of the birth of composer and conductor Pierre Boulez. Soprano Sarah Aristidou performs in Boulez’s “Pli selon pli, portrait de Mallarmé” with Les Siècles led by conductor Franck Ollu. Performance Dates: January {…}
New Music USA has named 85 awardees for the New Music Organization Fund’s 2024 grant cycle. This year, 702 applications were submitted. Grant seekers included music organizations, performance groups, dance organizations, festivals, presenters, and venues spanning 17 states. Applicants chose their preferred funding strand from one of the following categories: General Operating Support, Creation of New Work, or Live Music {…}
(Photo credit: Digitice Media Team) The International Contemporary Ensemble has announced its 2024-25 season. This article only contains classical vocal performances. Soloists Alice Teyssier and Damian Norfleet, the Quince Ensemble, the International Contemporary Ensemble, and composer Courtney Bryan at the piano present her works “Requiem,” “Blessed,” and “Dreaming” (“Freedom Sounds”) as part of the Composer Portraits series. Performance Date: Sept. 12, {…}
The International Contemporary Ensemble and PRiSM are set to present “Music, AI, and Co-Creation” on May 16, 2024. The showcase, which takes place at Roulette Intermedium in Brooklyn, features six world premieres by Emily Howard, Sam Salem, Bofan Ma, Megan Steinberg, Zakiya Leeming, and Robert Laidlow. Per a description in an official press release, “performed by members of the International {…}
The International Contemporary Ensemble will present “World Premieres & Recent Works” on April 3 at Chelsea Factory in New York City. The showcase, featuring vocalists Alice Teyssier and Fay Victor, starts at 7:30 p.m. and spotlights several unique works by Bonita Oliver, Sylvain Souklaye, Fay Victor, Cathy Berberian, Nathan Davis, and Clara Warnaar. There will be three world premieres on {…}
International Contemporary Ensemble is set to present “Anthony Davis & Leila Adu-Gilmore” on March 2, 2024 at the NYU Skirball Center. The showcase will feature Davis at the piano alongside vocalist Adu-Gilmore. Both performers will present their own compositions. First up, audiences will hear the world premiere of the live version of Adu-Gilmore’s “Mahakala Oratorio.” Then comes her “Alyssum” for {…}
(Photo credit: Catherine Koch) The International Contemporary Ensemble gives the world premiere performance of Yvette Janine Jackson’s “T-Minus: A Radio Opera” on Jan. 19 at Roulette. The new work “T-Minus,” commissioned by the International Contemporary Ensemble and funded by the Ernst von Siemens Music Foundation, is themed around the environmental and socioeconomic impact of space tourism on local communities near {…}
International Contemporary Ensemble has announced its 2023-24 Season. For this article, only vocal performances are listed. In October, the Ensemble will present a George Lewis Portrait Concert. On the program is the U.S. premiere of Lewis’ “H. narrans” (2020), a work for voice and chamber ensemble. Performance Date: Oct. 5, 2023 A performance of John Cage’s series of compositions titled “Ryoanji,” {…}
The International Contemporary Ensemble, in collaboration with The New School‘s College of Performing Arts, will present “Ensemble Evolution.” The first performance, scheduled for June 26 at The New School, will feature world premieres by Cleo Reed’s “Reeding Room: The Early Oeuvre” and Sandra Kluge’s “Anything is Everything,” among other works. The performance will feature Alice Teyssier on voice and flute, {…}
