Anna Prohaska, Magdalena Kožená, Max Emanuel Cenčić, Eva Zaïcik & Reinoud Van Mechelen Lead Staatsoper Berlin’s Barocktage 2021

(Credit: Staatsoper Unter den Linden / Marcus Ebener) The Staatsoper Unter den Linden in Berlin has announced its Barocktage. For the purposes of this article, we will focus on vocal works only. Here is a look. Baritone Adam Kutny kicks off the festival with the children opera “Theseus’ Reise in die Unterwelt.” Carolina Nees is the moderator. Performance Dates: Nov. {…}

Anna Netrebko, Sonya Yoncheva, Roberto Alagna, Elīna Garanča, Saioa Hernández & Camilla Nylund Lead Staatsoper Berlin’s 2021-22 Season

(Credits: Dario Acosta / Sonya Yoncheva official website / © Gregor Hohenberg / Kasskara/DG / Operabase official website / Staatsoper Berlin official website) The Staatsoper unter den Linden in Berlin has announced its 2021-22 season. Here is the full slate. Operas Beethoven’s “Fidelio” will open the season. The opera stars Roman Trekel, Matthias Goerne, Pavel Černoch, Andreas Schager, Simone Schneider, {…}

Constantin Goubet, Adèle Carlier & Marielou Jacquard Lead Stream of ‘Actéon’ From Théâtre du Châtelet

(Credits: Ensemble Regards / Bach Collegium Paris / Charles Mignot) Marc-Antoine Charpentier’s opera “L’Actéon” will be streamed on ARTE TV on Feb. 16, 2021. “L’Actéon,” a Pastorale in the form of a miniature tragédie en musique in six scenes, stars mezzo-soprano Marielou Jacquard in the role of Junon, soprano Adèle Carlier as Diane, and bass Constantin Goubet in the title {…}

Sir Simon Rattle Appointed New Chief Conductor of Symphonieorchester des Bayerischen Rundfunks

(Credit: Kevin Yatarola) Celebrated conductor Sir Simon Rattle has been appointed the new Chief Conductor of the Chor and Symphonieorchester des Bayerischen Rundfunks. Rattle will begin his five-year tenure in 2023. The famed conductor served as the Chief Conductor of the Berliner Philharmoniker until 2018, and currently holds the position of Music Director of the London Symphony Orchestra. “Bayerischer Rundfunk {…}

Juilliard School 2018 Review – Hippolyte et Aricie: Production Recreates What Rameau Would Have Hoped For

Premiering in 1773, Jean-Phillipe Rameau’s first opera, “Hippolyte et Aricie,” was considered to be a ground-breaking and controversial work that would further inspire a continuation of masterpieces that Rameau would create in support of “modern” music.  Modeled after Racine’s tragedy “Phèdre,” Rameau created a tragédie lyrique, that stirred perspectives surrounding a genre of French opera that began with Jean-Baptiste Lully {…}