Arte.TV to Broadcast Asmik Grigorian, Aigul Akhmetshina & Freddie De Tommaso’s ‘Norma’ from Vienna

(Credit: Monika Rittershaus) On Feb. 23, 2025, Arte.TV is set to broadcast the Theater an der Wien’s new production of Bellini’s “Norma.” The production by Vasily Barkhatov sets Bellini’s work against the backdrop of a change of political system and Norma’s tragedy is that she is ground down between the millstones of ideology as the old idols are jettisoned and {…}

Sonya Yoncheva, Lise Davidsen, Ying Fang, Benjamin Appl, Thomas Hampson & Freddie De Tommaso Lead Verbier Festival’s 2025 Season

The Verbier Festival has announced its 2025 season. Here is a look at the vocal performances. The Verbier Festival Orchestra and Barbara Hannigan perform works by Berlioz, Haydn, Copland, Rodgers, and Bill Elliot. Performance Date: July 17, 2025 Thomas Hampson and Ksenija Sidorova perform works by Schubert and Weill. Performance Date: July 20, 2025 The VF Academy Atelier Lyrique and {…}

Lise Davidsen & Freddie de Tommaso Lead Metropolitan Opera’s ‘Tosca’ HD

(Photo: Jonathan Tichler / Met Opera) The Metropolitan Opera’s 2024–25 Live in HD season will continue with Puccini’s “Tosca” on Nov. 23. The HD will star Norwegian soprano Lise Davidsen in the title role, tenor Freddie De Tommaso in his company debut as Cavaradossi, and baritone Quinn Kelsey as Scarpia. Bass-baritone Patrick Carfizzi returns as the Sacristan and Yannick Nézet-Séguinconducts David {…}

Aigul Akhmetshina, Freddie De Tommaso, Hera Hyesang Park, & Paul Grant to Headline Georg Solti Accademia Gala

The Georg Solti Accademia will present a star-studded gala at the Hungarian State Opera. Set for Oct. 20, 2024, the showcase will feature Aigul Akhmetshina, Freddie De Tommaso, Hera Hyesang Park, and Paul Grant, all alumni of the Georg Solti Accademia’s Bel Canto Course for Singers. This is the first time these four artists perform together. “This concert broadcast is {…}

Staatsoper Unter den Linden 2024-25 Review: Tosca

(Credits: Hermann und Clärchen Baus) Giacomo Puccini’s “Tosca,” adapted from a play by Victorien Sardou, was famously criticized by American musicologist Joseph Kerman, who dismissed it as a “shabby little shocker” and predicted its swift decline from the operatic canon. Despite this, “Tosca” endures as a favorite among audiences, thanks to Puccini’s brilliant music and masterful orchestration that elevate it {…}