Fleur Barron and Myra Huang are set to present “HOME(land) at the 92nd Street Y. The concert, which is set for April 27, 2024 at Buttenwieser Hall at The Arnhold Center, will juxtapose works by Eastern and Western creators including Brahms, Chen Yi, Berg, Ives, Takemitsu, Mussorgsky, Huang Ruo, Alex Ho, and Charles Trenet. The concert will be streamed online {…}
San Francisco Performances has announced its 2024-25 season. This article features vocal pieces only. For the company’s 45th Anniversary Gala tenor Nicholas Phan and composer and pianist Jake Heggie take the stage. Performance Date: October 4, 2024 Tenor Karim Sulayman and guitarist Sean Shibe will present works from their album “Broken Branches.” Performance Date: October 12, 2024 Opening the “Art {…}
La Filarmonica de Madrid has announced its 2024-25 season. Here are the vocal performances. The Collegium Vocale Gent and Philippe Herreweghe perform music by Bach. Performance Date: Jan. 30, 2025 Teodor Currentzis conducts MusicAterna in Mahler’s Symphony No. 2. Performance Date: March 26, 2025 Fleur Barron and Andrew Staples headline Mahler’s “Das lied von der Erde.” Daniel Harding conducts a {…}
Barcelona Obertura has announced its 2024 Spring Festival. Here is a rundown of the vocal performances. Teodor Currentzis leads MusicAeterna in a performance of Mozart’s Requiem. Performance Date: March 11, 2024 Fleur Barron headlines a program featuring music by Ravel, Montsalvatge, and Raquel García-Tomás. Ludovic Morlot conducts the Barcelona Symphony Orchestra. Performance Date: March 15, 2024 Harry Bicket leads The English Concert {…}
The 92nd Street Y, New York (92NY) announced its 150th anniversary celebration and the 2023-24 Tisch Music season featuring a star-studded cast. This article only features classical vocal performances. Audra McDonald and pianist and music director Andy Einhorn present “An Evening with Audra McDonald” for the 92NY 150th Anniversary event. Performance Dates: October 12 & 13, 2023 Mezzo-soprano Anne Sofie {…}
The Amigos de la Ópera de A Coruña has announced its 2023 season. Opera The season opens with Verdi’s “Aida” with Jose Miguel Perez Sierra conducting. Marigona Qerkezi, Nino Surguladze, Jorge Puerta, Carlos Almaguer, Giacomo Prestia, and Simon Orfila. Performance Dates: Sept. 14 & 16, 2023 Gounod’s “Romeo et Juliette” will star Mario Bahg, Sofia Esparza, Borja Quizo, and Luis {…}
L’Auidotri de Barcelona has announced its 2023-24 season. Here is a look at the vocal performances. Haydn’s “The Creation” will be performed by Jone Martínez, Jorge Navarro Colorado, and José Antonio López. Marta Gardolińska conducts. Performance Dates: March 2, 2024 Fleur Barron performs a program of music by Ravel, García-Tomás, and Montsalvatge. Ludovic Morlot conducts. Performance Dates: March 15-17, 2024 {…}
The San Francisco Symphony has released the full casting details for its upcoming production of Kaija Saariaho’s “Adriana Mater.” Conducted by Esa-Pekka Salonen and directed by Peter Sellars, the work, which will be presented on June 8-11, 2023, will star mezzo-soprano Fleur Barron as Adriana, soprano Axelle Fanyo as Refka, tenor Nicholas Phan as Yonas, and baritone Christopher Purves as {…}
Spain’s Orquesta Sinfónica del Principado de Asturias has announced its 2023-24 season. Here is a look at the vocal performances. Nuno Coelho conducts Massenet’s “Manon” at the Opera de Oviedo. Performance Dates: Sept. 10-16, 2023 Christoph Gedschold conducts Wagner’s “Lohengrin” at the Opera de Oviedo. Performance Dates: Jan. 25-Feb. 3, 2024 Nuno Coelho conducts Serena Saenz and Samuel Hasselhorn in {…}
The Oxford Lieder Festival has announced its 21st season. The season opens with “Culture, Counterculture, and Conviviality,” a two-part event that features a look at the salon culture, followed by a more specific look at that music world through Pauline Viardot’s own involvement. The event features speaker Natasha Loges and such artists as Charlotte Bowden, Alexandria Moon, Zahid Siddiqui, Johnathan {…}
(Photo: Ruth Walz) It never ceases to surprise how Monteverdi’s operas prove themselves time and again to be not just supreme examples of how the art form succeeds as a dramatic medium, able to communicate directly with present day audiences, with characters who resonate so clearly with the modern mind, even over a distance of 400 years, but also the {…}