The Bilbao Opera has announced a cast change for its production of Mozart’s “La Clemenza di Tito” in January 2022. The company noted that Daniela Mack will take over the role of Sesto, replacing Daniela Barcellona, who is recovering from an injury that impedes her from joining the production. Mack joins a cast that includes Paolo Fanale, Vanessa Goikoetxea, Veta {…}
(Credit: Teatro Real official website) The Teatro Real has announced several cast changes for the title role in Verdi’s “Nabucco.” The company noted that baritones Amartuvshin Enkhbat and George Petean have dropped out of the production and as a result, Gabriele Viviani, George Gagnidze, and Luca Salsi will sing the title role. They will join Luis Cansino, who will also {…}
The Teatro de la Maestranza in Seville, Spain has announced its 2021-22 season. Here is a look at the operatic and vocal performances. Operas Ermonela Jaho and Carmen Solís alternate the title role in Puccini’s “Madama Butterfly” with Amadi Lagha, Enrique Ferrer, Damián del Castillo, Gerardo Bullón, Moisés Marín, Felipe Bou, José Manuel Díaz, and Diana Larios. Alain Guingal conducts {…}
Fundación Baluarte and Orquesta Sinfónica de Navarra in Spain have announced their 2021-22 season featuring concerts, operas, and chamber music. For the purposes of this article, we will only focus on operatic performances. Opera Andrea Jiménez leads a concert performance of Arrieta’s “Marina” with José Luis Sola, Borja Quiza, and Pablo Ruiz. The Orquesta Sinfónica de Navarra and Coro Lírico AGAO {…}
(Credit: Kathy Wittman) Boston Baroque has announced its 2021-22 season which will include live performances streamed digitally via IDAGIO. “While we continue presenting great music on period instruments, Boston Baroque is embracing technology as a way to reach new audiences, much as we did when we became the first period instrument orchestra in North America to sign a major record {…}
(Credit: Dario Acosta/Arielle Donoson/© Gregor Hohenberg / Sony Classical) Carnegie Hall has announced its 2021-22 season featuring some of the world’s greatest artists. For the purpose of this article, we will only focus on the vocal works. Here is the full slate: Soprano Marija Jelic performs a recital alongside pianist Jasna Popovic. Performance Date: Oct. 5, 2021 Tenor Jonas Kaufmann {…}
The Teatro Real de Madrid has announced its 2021-22 season which will feature repertoire from 17th century all the way to the 21 century. Here is a look at the new season. The new season opens with Rossini’s “La Cenerentola“ in a production by Stefan Herheim. Riccardo Frizza conducts the opera which is set to star Karine Deshayes and Aigul {…}
The Atlanta Opera has announced a brand new podcast series that highlights some of the company’s recent productions. “BlinkOpera” will feature members from the Atlanta Opera Company Players ensemble talking about “Pagliacci” and “The Kaiser of Atlantis,” two operas presented by The Atlanta Opera in the fall as part of its Molly Blank Big Tent Series. “Pagliacci” features Richard Trey {…}
(Credit: Stefan Cohen/San Francisco Opera) San Francisco Opera stages its first live opera performances with Gioachino Rossini’s “The Barber of Seville.” The opera will be offered in a drive-in setting at San Rafael’s Marin Center and will open on April 23 and showcased for eleven performances running through May 15. Director Matthew Ozawa adapted the opera into a 90-minute version {…}
San Francisco Opera has announced that it will be returning to live performances starting in the Spring 2021. The company will present a 90-minute drive-in version of “Il Barbiere di Siviglia,” directed by Matthew Ozawa starring Daniela Mack, Alek Shrader, Lucas Meachem, Laura Krumm, Philip Skinner, Kenneth Kellogg, and Catherine Cook. Roderick Cox makes his company debut at the podium. {…}
The Atlanta Opera (TAO) website greets visitors with an invitation: “JOIN US AT THE BIG TENT!” Cool. The company’s staging its 2021 productions in an enormous tent. But wait a minute; is that a circus tent? Yes, it is, and unlike the Met’s new-ish production of “Così fan tutte” in which the circus entered the opera house, The Atlanta Opera’s {…}