The weekend will offer a lot of Bel canto, verismo, 20th-century masterpieces, and one world premiere that should not be missed by anyone. And it also includes a number of legendary stars, as well as some of the most famous in the world. Here are top six to see this weekend. L’Italiana in Algeri – Salzburg Festival, Austria Cecilia Bartoli {…}
The Opera de Monte-Carlo has announced its 2018-19 season, featuring a number of important stars and numerous productions. Here is a look at the unique season Monte Carlo will offer. The season opens with an evening entitled Opera-Comique at the Chapelle Musicale Reine-Elizabeth. Performance Dates: Oct. 13-14, 2018 A screening of “La Veuve Joyeuse” continues the season. Performance Dates: Oct. 25, {…}
Opera Zürich has announced its 2018-19 season slate, which is among the largest in the world. It will feature a whopping 12 new productions, among a glut of exciting revivals. Let’s dive in. Premieres Gisbert Näther’s “Konrad oder das Kind aus der Konservenbüchse” gets a new production by Claudia Blersch. Ann-Katrin Stöcker conducts two cast which will include Irène Friedli, Katharina Peetz, Flurin {…}
The Mozarteum in Salzburg has announced its programming for Mozart week in 2019. It will feature a wide range of music including theatrical, vocal, orchestral, and chamber music. As has been our policy with other season announcements, OperaWire will stick to the vocal performances only in this article. The company will kick things off with a production of “T.H.A.M.O.S.,” a {…}
The International Opera Award nominations have bee announced. The organization, which seeks to recognize the best of the industry recognizes 18 categories. This year the nominees for Female Singer are Malin Byström, Carmen Giannattasio, Barbara Hannigan, who recently won the Grammy, Hui He, Ermonela Jaho and Eva-Maria Westbroek. In the Male Singer category, Piotr Beczała is nominated alongside Günther Groissböck, Peter Mattei, Eric Owens, {…}
The Salzburg Festival has announced its 2018 summer festival. This season the festival will showcase eight operas in concert and staged performances. “Die Zauberflöte” will be the festival’s sole Mozart offering starring Matthias Goerne as Sarastro, Mauro Peter as Tamino, Albina Shagimuratova in the role of the Queen of the Night, Christiane Karg as Pamina, and Adam Plachetka as Papageno. Constantinos Carydis conducts Lydia Steier’s new production. {…}
Cecilia Bartoli may return to New York. According to a recent interview with the New York Times, the famed mezzo noted she wanted to return to the Big Apple. She said, “I hope to come back — it’s a long time now.” The mezzo-soprano last performed at the Metropolitan Opera in 1998 and gave 30 performances total over the course {…}
Cecilia Bartoli has announced her new album, and it features cellist Sol Gabetta. In “Dolce Duello,” the two will be showcasing their talents in the baroque repertoire. The official announcement of the album was made on Bartoli’s website, with a trailer to boot. “Cecilia Bartoli and Sol Gabetta – two of the most captivating women in classical music – are joining {…}
The festival season is coming to an end with many performances and productions on their last weekends. That said, the schedule around the world is still slated to feature a ton of major opera stars. Austria The Salzburg Festival is in full swing with Rolando Villazón and Cecilia Bartoli performing on Friday in “Ariodante” and Anna Netrebko and Francesco Meli {…}
Fedora Barbieri and Cecilia Bartoli, mezzo-sopranos born on June 4, could not be more diametrically opposed from a vocal standpoint. Unlike the past few articles showcasing two birthday-sharing singers together to see how their careers feature numerous similar roles, this article, which features two Italian mezzos, has none. At all. Bartoli and Barbieri never sang the same roles. They only have {…}
Bellini’s “La Sonnambula” is one of the most popular operas in the Bel Canto repertoire and one that many coloratura sopranos have embraced on stage. On March 6, 1831, the opera had its world premiere with Giuditta Pasta in the title role. Pasta was known as a soprano sfogato which is designated to a contralto who is capable—by sheer industry or natural {…}
