More options, more variety. That is what is going on with the release of more streams from more companies. This week’s recommendations features the best mix of classical performances, traditional operas, and new works to engage the widest range of audience. Eugene Onegin – Opera Vision / Komische Oper Berlin (NOW) OperaVision kicks off its Russian festival in May with {…}
Three Boston-based organizations are joining forces with WCRB Classical Radio Boston to put together Festival 1750, a 10-day broadcast music festival. The showcase, which kicks off on April 20, 2020, features Boston Baroque, the Handel and Haydn Society, and Boston Early Music Festival. “As WCRB continues to explore ways to keep our audience and Boston’s vibrant music community connected, we {…}
The Boston Baroque will postpone its March performances of Vivaldi’s The Four Seasons and Gloria to a yet-to-be determined date later this spring and has announced that the April opera production of Handel’s “Ariodante” has been cancelled. The company noted in a statement, “In light of New England Conservatory’s decision to close its campus to the public, and as the {…}
The Boston Baroque has announced its 2020-21 season featuring Music Director and Conductor Martin Pearlman in all productions at the NEC’s Jordan Hall. For the purposes of this article will only highlight the vocal performances. Soprano Susanna Phillips will perform arias from Handel’s operas “Alcina,” “Partenope,” “Giulio Cesare,” and “Semele” in a concert. Music Director Martin Pearlman conducts Boston Baroque’s {…}
The Boston Baroque will perform a program of 18th-century works on April 8, 2020 as a part of the LA Philharmonic’s Presenting Series at Walt Disney Hall in Los Angeles. The first part of the concert will feature Corelli’s Concerto Grosso in F, J. S. Bach’s Orchestral Suite No. 4 and Vivaldi’s sacred motet “Nulla in mundo pax sincera,” showcasing {…}
(Credit: Lisa-Marie-Mazzucco) Boston Baroque is set to present Handel’s “Ariodante” on April 24 and 25, 2020. The performance, which will take place at the New England Conservatory’s Jordan Hall, will be led by mezzo-soprano Paula Murrihy in the title role with soprano Layla Claire performing for the first time as Ginerva; Claire is replacing Kiera Duffy, who withdrew from the {…}
The Boston Baroque begins the 2019-20 season with a program of symphonies and opera arias by Mozart and Haydn. The program, conducted by Music Director Martin Perlman, is set to feature Mozart’s “Linz” Symphony No. 36 in C major and Haydn, Symphony No. 102 in B flat. The program will also showcase Amanda Forsythe in arias from Mozart’s “Il re pastors,” {…}
The Boston Baroque will present Monteverdi’s “L’incoronazione di Poppea” with a starry cast. The company announced that soprano Amanda Forsythe will perform the title role alongside countertenor Anthony Roth Costanzo making his Boston Baroque debut as Nero. The cast will also include contralto Emily Marvosh as Ottavia, Ryan Belongie as Ottone, tenor Brian Giebler as Arnalta, bass Kevin Langan as Seneca, {…}
Boston Baroque has announced its 2019-20 season, which will include five concerts. The season will open with two Classical symphonies: Mozart’s “Linz” Symphony No. 36 in C major, and Haydn’s Symphony No. 102 in B flat. Soprano Amanda Forsythe will perform a set of virtuosic arias including “Barbaro, o Dio, mi vedi” from Mozart’s “Il re pastore,” “Ruhe sanft, mein holdes {…}
The Grammy-nominated Boston Baroque is set to present Beethoven’s only opera “Fidelio” in its Boston Baroque debut performance. The presentation will represent the first-ever period instrument presentation of the work in Boston and will offer a rare opportunity for audiences to enjoy a semi-staged showcase of the two-act version of “Fidelio.” The performance will be conducted by Music Director Martin {…}