(Credits: Sonya Yoncheva official website / Charles Castronovo official website / Jason Homa / Sim Canetty-Clarke / Andrey Uspensky / © DR/Opéra National de Paris) The Royal Opera House Covent Garden has announced that it will reopen its doors for the first time Since March 16, 2020. The Royal Opera House will present the Live in Concert event on September {…}
“Opera Meets Film” is a feature dedicated to exploring the way that opera has been employed in cinema. We will select a section or a film in its entirety, highlighting the impact that utilizing the operatic form or sections from an opera can alter our perception of a film that we are viewing. This week’s installment features Lucino Visconti’s “The {…}
(Credit: Leslie Hassler) Tenor Brian Cheney is set to present “The Beauty of Bel Canto” as part of his online series on Thursday, May 28, 2020 The concert will highlight the operatic and art song repertory of the great Bel Canto masters with an emphasis on Donizetti and Bellini. This is the eighth concert that Cheney has performed since the {…}
Boston Lyric Opera has announced the launch of a new digital platform, called “[insert:opera],” which will launch with two programs. The first, named “AT ITS (s)CORE” is a bi-weekly series where artists discuss their experiences in opera through conversations centered on a single piece of music. The series is produced by and conceived by stage director Melanie Bacaling. The first {…}
“Opera Meets Film is a feature dedicated to exploring the way that opera has been employed in cinema. We will hone in on a selection or a film in its entirety, highlighting the impact that utilizing the operatic form or sections from an opera can alter our perceptions of a film that we are viewing. This week’s installment features opera {…}
While soprano Marina Rebeka has taken on a slew of roles in her career, it is fair to say that few have had as big an impact as that of Violetta in “La Traviata.” It is a role that she has dominated in over 18 different productions over the better part of the last decade. It is one that she {…}
(Credit: Javier del Real) The Teatro Real de Madrid presented Bellini’s rarely performed “Il Pirata” with three casts in an aesthetically powerful production by Emilio Sagi in what is likely to be one of the highlights of the 2019-20 season. While the headliners of the first cast were Sonya Yoncheva and Javier Camarena, it was the second cast of Yolanda {…}
On December 21, 2019, the Eurasia Festival presented the second concert of its Park Avenue Concert Series. Held at the organization’s new location of the Eurasia Cultural Center, this series gives performance opportunities to students of the “Azatt Sessions,” a series of classes taught by director Mark Verzatt and Eurasia Festival President and pianist, Aza Sydykov. A Tenor Opens Opening {…}
(Credit: Dario Acosta) Few sopranos have defined the last decade the way that Bulgarian diva Sonya Yoncheva has. Since her major victory at the Operalia Competition in 2010, Yoncheva has become a household headliner at all the major opera houses around the world. But what has arguably distinguished the soprano over these past few years has been her willingness to {…}
Saturday, December 7, 2019, saw the finals concert of Premiere Opera Foundation and NYIOP’s International Vocal Competition. The 20 finalists gathered in the resonant First Christian Science Church to share their artistic gifts before a live audience and a panel of distinguished judges, including Paul Hopper of the Metropolitan Opera, Gerald Martin Moore of the Glyndebourne Festival, Pamela Walsh of {…}
(Credit: Javier del Real) Few opera directors have had as much influence as Emilio Sagi. After nearly 40 years, he is not just any other opera director – he is a brand and an icon, his work easily identifiable. He debuted in his native Oviedo with “La Traviata” in 1980 before triumphing in Madrid with “Don Pasquale” in 1982. Since {…}
