Every major discipline has its proverbial “Mount Everest,” the pinnacle achievement. The moment of “arrival” in which the person can feel a sense of accomplishment that few others, or only the true greats, have accomplished. In the soprano operatic repertoire, Bellini’s “Norma” is often viewed as that proverbial peak due to its taxing and wide-ranging nature. Lili Lehmann, one of {…}
At age 14, Riccardo Frizza decided he wanted nothing to do with opera. The catalyst? Bellini’s “I Puritani.” “I was studying in the conservatory and they took us to see ‘I Puritani,’” the famed conductor told OperaWire in an exclusive interview. “I thought it was so boring. It was a mistake to take me to see that first before any {…}
On Jan. 24, 1835 Bellini premiered his final opera, “Puitani.” Despite being beloved for its beautiful melodies and incredible coloratura challenges, the opera is also known for its ludicrous story line. This season the Metropolitan Opera is presenting the work with an all star cast and a new diva. The Met has always used the opera as a showcase for {…}
The Verdi and Bel Canto repertoire has some of the most challenging music for soprano. It requires flexibility in the voice as well as high and low testitura. Coloratura runs are a must and clear diction and attention to the text are paramount. Among contemporary artists, Angela Meade has been championing this repertoire by not only performing the warhorses such {…}