Artivistas, 360° of Opera, and Bare Opera will join forces to present a concert on June 21, 2023 in honor of “La Fête de la musique.” The performance, which will take place at the Paris-based Artivistas gallery, will feature mezzo-soprano Eugenia Forteza and pianist Laetitia Ruccolo in a program featuring music by Gardel, Maria Grever, Piazzolla, Rossini, Consuelo Velázquez, and {…}
In February 2022, OperaWire got a sneak peek at Thomas Cabaniss’ new song cycle, “FireSongs” at Bare Opera’s season opening gala. Cabaniss took to the stage himself and sang a few selections, and in doing so, brought the audience inside of his creative process. Cabaniss, in a June 2022 interview with OperaWire, stated, “I spend a lot of time speaking, {…}
On June 18, 2022, the National Sawdust and Chelsea Factory will present Bare Opera’s production of Thomas Cabaniss’ “Firesongs.” Cabaniss, a South Carolina Native, was an initiator of The Lullaby Project and The Somewhere Project, both at Carnegie Hall, and was the host and composer-in-residence for Carnegie Hall’s Link Up program between 2010-2020. In addition to the dozens of works {…}
National Sawdust and Chelsea Factory are set to present Bare Opera’s production of “Fire Songs” on June 18, 2022. The production, which will be directed by Malena Dayen, will features a song cycle by composer Thomas Cabaniss under the musical direction of David Rosenmeyer. The work will feature vocal performances by such artists as Anicet Castel, Inna Dukach, Eugenia Forteza, {…}
Photo: Gustavo Mirabile New York City-based alternative opera company, Bare Opera, opened its 2022 season with a gala at The Green Room 42 in Manhattan on Wednesday, Feb. 23, 2022. This small, plucky company is making waves as it creates immersive opera experiences for all audiences; 360° of Opera honored Bare Opera by naming it Best Independent Opera Company of {…}
Bare Opera is set to kick off its 2022 season with a special gala concert on Feb. 23, 2022. The event, which will take place at The Green Room in New York City starting at 7 p.m. EST, will feature performances from a number of unique artists including Malena Dayen, Thomas Cabaniss, David Rosenmeyer, Joy Jan Jones, Laetitia Roccolo, Chanan {…}
The Decameron Opera Coalition will present “DOC Happy Hour: Librettists in Conversation” on Nov. 20, 2020 at 6 p.m. EST. The project featured collaborations between Resonance Works (Pittsburgh); Lyric Opera of the North (Duluth); UrbanArias (Washington DC); Bare Opera (New York City); Opera in the Heights (Houston); Chicago Fringe Opera; Milwaukee Opera Theatre; Fargo-Moorhead Opera; An Opera Theatre (Minneapolis); and {…}
Catapult Opera has announced the winners of its Accelerate Competiton. The Competition was a team-based event intended to inspire innovation and creativity in the realm of socially distanced operatic performance. Teams were given four selection to choose from and had three weeks to put together a video that met categories of music excellence, dramatic integrity, and creativity. The first prize {…}
This week’s recommendations list comes with a caveat – there are actually more that 10 performances to stream among our recommendations. The reason? Some of the companies are presenting package deals that were simply too good to ignore. If you are a lover of the standard repertory, we have a lot of unique options for you among this week’s recommendations. {…}
(Credit: Frances Marshall) In 1353, a few years after the Black Death raged in Florence, Giovanni Boccaccio finished “The Decameron,” 100 stories told by seven women and three men holed up in a countryside villa as they awaited the passing of the plague. It’s a classic of literature, many times bawdy, sometimes tragic, and extremely apropos considering our present-day pandemic. {…}
Bare Opera is set to present three new performances of “Exercises on The Presence of Odradek” this Sunday, May 24. The three showcases will kick off at 8 a.m., 2 p.m. and 7 p.m. EDT with a red carpet segment hosted by 360 of Opera’s Eugenia Forteza on the 360 of Opera Instagram account prior to the final performance. The {…}