(Credit: Monika Ritterhaus) Audience members were already en route to Unter den Linden when the news began to spread on social media: the evening’s performance of “Carmen,” the second in a much-anticipated run of performances, would be the final night of Berlin opera before the city’s concert halls and opera houses were forced to close their doors for at least {…}
(Credit: Monika Rittershaus) The Staatsoper Berlin has announced that despite canceling performances for audiences, it will still live stream its performance of “Carmen” on March 12. The performance, which stars Michael Fabiano and Anita Rachvelishvili, will be live streamed on the Staatsoper website as well as the RBB Kultur site. In addition, it will be shown on television on Saturday in {…}
The Deutshce Oper Berlin has announced its 2020-21 season featuring six new productions and a new Ring Cycle. Premieres The season kicks off with “The 7 Deaths of Maria Callas,” which will be directed by Marina Abramovic. Marina Abramovic, Nadezhda Karyazina, Whitney Morrison, Leah Hawkins, Adela Zaharia, Selene Zanetti, Gabriella Reyes, and Mané Galoyan will lead the cast. Performance Dates: {…}
The Philharmonia Orchestra has announced its 2020-21 season featuring internationally acclaimed guest soloists and recognized conductors. For the purposes of this article, we will only focus on vocal performances. Esa-Pekka Salonen conducts Yuja Wang and the Philharmonia Voices in Beethoven’s “The Creatures of Prometheus” and Scriabin’s Prometheus: The Poem of Fire. Perfomance Date: Sept. 24, 2020 The Philharmonia Orchestra presents Walton’s {…}
The Dutch National Opera has announced its 2020-21 season featuring new productions and a number of world premieres. Boito’s “Mefistofele” opens the season with a new production by Tatjana Gürbaca. Marco Armiliato conducts the production with Christian Van Horn in the title role, Charles Castronovo, Olga Busuioc, and Guanqun Yu. Performance Dates: Sept. 5-24, 2020 Paula Murrihy, Sandrine Piau, Tuomas {…}
(Photo: Paola Kudacki / Met Opera) The Metropolitan Opera revealed its 2020-21 season on Wednesday afternoon. Among the major announcements were the company’s schedule for its ever-popular Live in HD slate. Here is a look at the list of performances that will be broadcast to audiences around the world. Aida (Oct. 10, 2020): Yannick Nézet-Séguin conducts Michael Mayer’s new production {…}
The Metropolitan Opera has unveiled its 2020-21 season, which features five new productions and 17 revivals. New Productions Anna Netrebko opens the Metropolitan Opera in a new production of Verdi’s “Aida” directed by Michael Mayer. Yannick Nézet-Séguin conducts the production which also stars Anita Rachvelishvili, Piotr Beczała, Dmitry Belosselskiy and Ludovic Tezier. The production will also showcase Latonia Moore and {…}
(Credit: Opera Australia) Italian bass Ildebrando D’Arcangelo will no longer be performing in the Staatsoper unter der Linden Berlin’s production of “Carmen,” per the official statement on the company’s website. As a result, baritone Lucio Gallo will take over the full run. Gallo will join a cast that includes Michael Fabiano in the role of Don José, Christiane Karg in {…}
The Chicago Symphony Orchestra has announced its 2020-21 season with Riccardo Muti leading a number of important and rare works and international soloists. For this article we will highlight the vocal performances. A highlight of the year-long celebration of the 250th anniversary of Beethoven’s birth will be Riccardo Muti conducting the composer’s Missa solemnis. The maestro will conduct the Chicago {…}
Eve-Maud Hubeaux replaced Anita Rachvelishvili on the Nov. 20 performance of “Don Carlo” in Paris. Rachvelishvili sang the first two acts of the performance but could not continue due to Tracheitis. As a result Hubeaux, who performing the role of Tebaldo in the opera, took over the role of Eboli. However, due to the fact that Hubeaux did not know {…}
(Credits: Vincent Pontet/ Opéra National de Paris) When I saw Krzysztof Warlikowski’s new production of my favorite Verdi’s opera “Don Carlos” online two years ago, I was deeply disappointed. Even a “dream cast” couldn’t save it for me. Growing in Russian theatres I believed the famed Chekhov expression that “if there’s a gun on stage, it should eventually shoot.” And {…}