(credit Julian Baumann) Les Grand Voix has changed the program to an upcoming concert at the Théâtre des Champs-Élysées. The Oct. 7 concert, which was originally set to feature Adriana Gonzalez and Freddie De Tommaso in duos and arias by Puccini, Ponchielli, Bizet, and Cilea alongside Victorien Vanooster and the Orchestre de l’Opéra de Toulon, will now only feature the {…}
Welcome back for this week’s look at the latest CD and DVD releases in the opera world. This week audiences will get to relive two acclaimed performances from the 2023 Salzburg Festival as well as two world premiere recordings. Giuseppe Verdi: Macbeth C Major Entertainment releases Salzburg’s production of Verdi’s masterpiece which was recorded in August 2023. The production by {…}
The Opéra de Toulon has announced its 2024-25 season. Valerio Galli conducts the double bill of “Cavalleria Rusticana” and “Pagliacci.” The production by Silvia Paoli will star Anaïk Morel, Tadeusz Szlenkier, Agnes Zwierko, Daniel Miroslaw, Marianne Croux, Daniel Miroslaw, and Csaba Kotlár. Performance Dates: June 29-July 2, 2024 Victorien Vanoosten conducts Adriana González and Freddie De Tommaso in an Italian {…}
The Teatro Real de Madrid has announced its 2024-25 season. Opera Nicola Luisotti and Andrés Salado conduct Cilea’s “Adriana Lecouvreur” in David McVicar’s production. The production will star Ermonela Jaho, Maria Agresta, Brian Jagde, Matthew Polenzani, Elīna Garanča, Ekaterina Semenchuk, Nicola Alaimo, and Manel Esteve. Performance Dates: Sept. 23-Oct. 11, 2024 Charpentier’s “David et Jonathas” will be performed in concert with Petr Nekoranec, Gwendoline Blondeel, Jean-Christophe {…}
The Théâtre des Champs-Élysées has announced its 2024-25 season. Here are the vocal performances. Opera in Production Bach’s “Passion selon Saint” will be conducted by Leonardo García Alarcón and directed by Sasha Waltz. The cast will include Sophie Junker, Georg Nigl, Christian Immler, Benno Schachtner, Valerio Contaldo, and Mark Milhofer. Performance Dates: Nov. 4 & 5, 2024 Poulenc’s “Dialogues des {…}
Happy New Year! With 2024 in full swing, OperaWire is breaking down 10 opera productions that are must-sees for all opera lovers from around the world for the winter and spring season. Ali – La Monnaie – April 21, 2024 La Monnaie continues bringing new operas to the world and this year the company will bring the true story of {…}
The Gran Teatre del Liceu has announced a cast change for its Dec. 9 performance of “Turandot.” The company said, “In the performance of ‘Turandot’ today, Saturday 9 December, the role of Liù is sung by the soprano Marta Mathéu, replacing Adriana González, who is ill.” Mathéu will join a cast that includes Elena Pankratova, Siegfried Jerusalem, Michael Fabiano, Marko {…}
The Gran Teatre del Liceu has announced a cast change for its production of “Turandot.” The company said that due to muscle problems, Nadine Sierra has been forced to cancel her participation as Liù as she will require treatment during the performance dates. As a result, Sierra will be replaced by Vannina Santoni and Adriana González. Santoni will perform on {…}
LIFE Victoria has announced its 2023-24 season celebrating Victoria de Los Angeles’ centenary. Natalia Labourdette, Laurence Kilsby, and Kunal Lahiry perform alongside LIFE New Artists Milan Perišić and Quimey Urquiaga. Performance Date: Oct. 3, 2023 Siobhan Stagg and Kunal Lahiry perform alongside LIFE New Artists Inés López and Jesús López Blanco. The program includes music by Ravel, Duparc, Fauré, Canteloube, {…}
This week audiences will get a chance to hear a new album by a great tenor and complete operas by Mozart, Donizetti, Moniuszko, and Gluck. Romances Star tenor Piotr Beczala presents a selection of romances by Rachmaninoff and Tchaikovsky, together with the acclaimed accompanist Helmut Deutsch. In a statement, Beczala noted, “When I first began to study singing at the Katowice Academy of {…}
(Photo Credit: SF/Matthias Horn) “Le Nozze di Figaro” in Salzburg is always a big challenge; it is Mozart’s city. The festival public is not conservative per se, but it does have high standards for Mozart, and will not willingly countenance simplistic approaches to the opera that would diminish Mozart and Da Ponte’s powerful message in name of some moralism. But {…}