Amigos Canarios de la Opera 2025-26 Review: Otello

The title role of Verdi’s “Otello” is one of the hardest roles ever written for a tenor in the Italian repertoire. Luciano Pavarotti simply recorded it while {…}

O P E R A W I R E

Interviews

Q & A: Music Director Peter Whelan on His Vision for Philharmonia Baroque Orchestra & Chorale & the 2026-27 Season ‘The Power of Music’

The Philharmonia Baroque Orchestra & Chorale recently announced its 2026-27 season, the first with Peter Whelan as its new Music Director. For Whelan, what distinguishes Philharmonia Baroque from the outset is its energy. He describes the ensemble as a group of “musical time-travelers” who bring a visceral, theatrical charge to every performance, and speaks warmly of the Bay Area audience’s {…}

Q & A: Anna Skryleva on Making Her Debut at Opera Australia & ‘Eugene Onegin’

(Credit: Katharina Gebauer) Anna Skryleva is an award winning conductor, composer, pianist, and synesthete. She regularly appears as a guest conductor at prestigious opera houses including the Hamburg State Opera, the Royal Swedish Opera, the Dallas Opera, the Gewandhausorchester Leipzig, and the Frankfurt Radio Symphony Orchestra and this season she made her Teatro alla Scala debut. She is also making {…}