Q & A: Bass Zachary James on Auditioning for Philip Glass, ‘Akhnaten’ At the Met & Laying an Egg in ‘The Love for Three Oranges’

(Credit: Matt Madison-Clark) Be careful around Zachary James. In his role as the cook in Prokofiev’s madcap “Love for Three Oranges” with Opera Philadelphia, he wielded a lethal ladle. If you were a fan of ESPN’s show, “Great Outdoor Games” you may have seen him handling an ax as a lumberjack, promoting the show in a television commercial. The New {…}

Opera In the Big Easy – New Orleans Opera Association Robert Lyall On Developing The City’s Rich Operatic Tradition

(Credit: Brittney Werner) If you visit New Orleans today, you can pop into the Napoleon House, the supposed location in which the former emperor would live out his days in North America. The music that you’ll hear while sipping your Pimm’s Cup in the 200-year-old house-turned-bar is classical. Beethoven’s “Eroica” symphony is on repeat, after all, the maestro wrote it {…}

Q & A: Lina Gonzalez-Granados, Lidiya Yankovskaya, & Elizabeth Askren On How The Hart Institute For Women Conductors Helped Shape Their Careers

For five years, the Dallas Opera’s Linda and Mitch Hart Institute for Women Conductors has done something that few other major companies have done – champion women conductors. The program, the first ever designed to meet the needs of women opera conductors, has allowed participants an opportunity to engage in a wide-range of musical opportunities alongside some of the most {…}

Heading Into Foreign Territory – Mezzo-Soprano Sarah Mesko Set For ‘Carmen,’ The Role Least Like Her

(Credit: Dario Acosta) Sarah Mesko is walking a straight path toward an important career. The Arkansas native has built her success on solid academic training and noteworthy apprenticeships, and has received bundles of prestigious awards in return. She has performed with scores of professional companies in the United States, including the Met where she has paid her dues as a {…}