Q & A: Julien Bilodeau On ‘Another Brick In The The Wall’ & Roger Water’s Influence On The Opera

(Credit: Philippe Stirnweiss) Since its world premiere in 2017, “Another Brick in the Wall” has garnered popularity throughout North America. The opera, based on the era defining album “The Wall” by Julien Bilodeau and first performed in Montreal before heading to the United Stated. The work, which set out to “give the audience an opportunity to discover a new dimension {…}

Always Singing & Smiling – Roberto Alagna On His Undying Passion For His Art, Taking Care of His Voice, & The Challenges Facing Young Singers Today

(Credits: Charly Hel) OperaWire’s initial interview with Alagna was set to take place after his performance of “Don Carlos” in Paris. But two acts into the performance, he had to withdraw from the performance and also postpone the interview. “I’m sorry we have to postpone,” he warmly said that evening. “I’d better not use my cords today to keep it {…}

Winds of Change – How Deborah Sandler & Joanne Burns Are Transforming The Lyric Opera of Kansas City

  The winds of change are sweeping down the plains. Bring them on, say the directors of The Lyric Opera of Kansas City. Given the chance to re-invent itself with the opening of the Kauffman Center in 2011 and new production-facilities buildings shortly thereafter, the Lyric has grasped the opportunity with an impressive energy, wholly characteristic of the region’s revival. {…}

Q & A: Harry Christophers On The White Light Festival & A Big Year for The Sixteen

On Nov. 7, the White Light Festival in Lincoln Center will present the U.S. premieres of James MacMillan’s widely acclaimed “Stabat Mater” and “Miserere” as part of the 10th anniversary of the festival. Harry Christophers, music director and founder of The Sixteen choir, will lead both works alongside the Britten Sinfonia ensemble. It’s a big year for Christophers, who is celebrating the {…}