This November the Dutch National Opera will premiere “Le Lacrime di Eros,” an experimental work that brings together music from the Renaissance with contemporary electronic music composed by the American composer Scott Gibbons, under the baton of the French conductor Raphaël Pichon, who is responsible for creating and developing the concept. The work is built around rarely heard pieces from {…}
(Photo: Matilde Fassò) Italian baritone Bruno Taddia is embarking on his most challenging role yet as Licinius in Gaspare Spontini’s “La Vestale,” with libretto by Étienne de Jouy, for the Pergolesi Spontini Festival in Jesi. OperaWire dives headfirst into asking Taddia all about how he connects with this role and what it means to him as he performs for this {…}
(Credit: © Gregor Hohenberg) September 20 marked a special day for tenor Juan Diego Flórez. For decades, the famed bel canto specialist has been almost exclusively releasing albums on Decca Classics, becoming one of the major operatic faces for the label throughout his career. He also worked with Sony Classical for a short period. But the tenor, who in recent {…}
(Photo: Íris Zanetti) Bruno de Sá is a star. As the first Brazilian singer to sign a contract with a major record label, he has every reason to be the pride of a nation. However, it was not until recently that he received the proper honors in Brazil. As part of his artistic residency at São Paulo’s Teatro São Pedro, {…}
When he was but nine-years-old, Juan Trigos woke up one day and ran to his mother to tell her what he was going to do with his life. “She of course laughed and so did I, but I had already decided,” he told OperaWire in a recent interview on the occasion of being the winner of the 2024 Azrieli Commission {…}
(Credit: Rosie Hardy) Lise Lindstrom recently took time to converse with Benjamin Torbert for OperaWire. Lindstrom sings all three Brünnhildes in “Die Walküre,” “Siegfried,” and “Götterdämmerung” in the Dallas Symphony Orchestra’s very lightly staged concert presentation of Wagner’s “Der Ring Des Nibelungen,” on 13-20 October 2024. She already appeared with the Dallas Symphony Orchestra for two performances of “Walküre” in {…}
(Photo by Anne-Laure Lechat) “I was lucky to have a great music teacher in my teens, who gave us very inspiring compositional assignments. I remember the experience of going to school as a teenager and thinking about my compositions I was writing for the class, and fell in love with the experience of spending my thinking time on abstract sounds. {…}
“I was drawn to composing because of an intrinsic fascination with sound and a strong curiosity in figuring out how music that moves me was created,” Composer John Nobles told OperaWire in a recent interview. Nobles is the recipient of the Azrieli Commission for Canadian Music for his piece “Kanata” for Large Choir. A JUNO Award-winner for “Classical Composition of {…}
(Photo credit: Alessio Chao) The 25-year-old Italian mezzo-soprano Emma Alessi Innocenti is still at the stage in her career in which she is attempting to establish herself as a known singer within the industry. Of course, at such a young age, she has had relatively few opportunities to perform in fully staged operas. But by sheer chance, OperaWire has reviewed {…}