Q & A: Composer Paul Mealor & Librettist Grahame Davies On Their New Opera ’Gelert’

(Stephen Cain Photography) The North Wales International Music Festival this year celebrated its 50th anniversary, and to mark the occasion, commissioned a new opera from composer Paul Mealor and librettist Grahame Davies. Together they decided to base their opera on the tale of King Llewelyn’s faithful hound, Gelert, a legend known to even the youngest of Welsh schoolchildren. The subject {…}

Q & A: Staff Sgt. 1st Class Ben Hilgert & Soprano Tess Altiveros on the upcoming Arizona Opera production of ‘The Falling and the Rising’

Arizona Opera’s upcoming production of “The Falling and the Rising” is an operatic story of the unique service of those in the military who face danger, often paying the price of a great sacrifice. Staff Sergeant Ben Hilgert, serving in the Soldiers’ Chorus of the U.S. Army Field Band, is the visionary of the piece. His passion to tell this {…}

Q&A: Composer Paola Prestini on the World Premiere of her ‘Edward Tulane’

Paola Prestini’s first grand opera, “Edward Tulane,” makes its world premiere on October 8th as the first work by a woman to be commissioned by Minnesota Opera as part of the company’s New Works Initiative. Based on the novel, “The Miraculous Journey of Edward Tulane,” by Minnesota author and two-time Newbery Medalist Kate DiCamillo, Paola Prestini collaborates with librettist Mark Campbell to honor {…}

Q & A : Ashkenaz Festival Artistic Director Eric Stein on Reviving ‘Bas Sheve’ & the Importance of Jewish Representation

Once considered lost since its premiere in 1924 Warsaw but miraculously rediscovered in 2017 by German Musicologist Dr. Diana Matut while digging through the archives of Yale University Library, the Yiddish-language opera “Bas Sheve” (the first known opera in the Yiddish language) finally received its North American premiere at the 2022 Ashkenaz Festival. Dubbed one of the “largest and most {…}

Q & A: Composer Lembit Beecher Talks About His New Song Cycle ‘A Year to the Day’

Photo: Jamie Jung American composer Lembit Beecher has collaborated with librettist/lyricist Mark Campbell to write “A Year to the Day,” a new song cycle rooted in, but not about, the pandemic. The concept was Campbell’s, and it was he who approached the composer. Together, they wrote six songs, along with five instrumental interludes for tenor Nicholas Phan, violinist Augustin Hadelich, {…}