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Stage Reviews

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Jun 18, 2018

Royal Opera House 2017-18 Review – La Bohème: Matthew Polenzani, Maria Agresta & Company Trapped In Camp Direction

Jun 15, 2018

Teatro Comunale di Bologna 2017-18 Review – Don Carlo: Maria José Siri & Luca Salsi Dominate Verdi’s Masterpiece

Jun 14, 2018

Metropolitan Opera Summer Recital Series 2018 Review – Hopkins, Chang, and Moore Put on a Splendid Evening of Outdoor Opera

Jun 14, 2018

Opernhaus Zurich 2017-18 Review: Das Land Des Lachelns: Piotr Beczala Shines Amidst Confused Production of Lehár Classic

Jun 13, 2018

Teatr Wielki Warsaw 2017-18 Review – Carmen: Rinat Shaham & Leonardo Capalbo Salvage Senseless Production By Andrzej Chyra

Jun 12, 2018

New York Opera fest 2018 Review: The Rose Elf — Hertzberg – Ousley Team Stage a Graveyard Smash

Jun 11, 2018

Spoleto Festival USA 2018 Review – Tree of Codes: Liza Lim’s Work Provides Visual Dazzle But No Vocal Highlights

Jun 9, 2018

Royal Opera House 2017-2018 Review – Lohengrin: Christine Goerke Shines Among Solid Cast As Half-Awoken Myths Stay in the (Wartime) Trenches of Reality

Jun 7, 2018

Deutsche Oper Berlin 2017-18 Review – Nabucco: Željko Lučić Stands Tall While Keith Warner’s Printing Press Production Needs Serious Editing

Jun 7, 2018

Opera Theatre of St. Louis 2018 Review – An American Soldier: A Moving Tribute To The Distressing Death of Private Danny Chen

Jun 7, 2018

Opera Theatre of St. Louis 2018 Review – Regina: Scheming Susan Graham Stars in Masterful Production of Blitzstein’s Drama

Jun 5, 2018

New York City Opera 2017-18 Review – Brokeback Mountain: Glenn Seven Allen & Daniel Okulitch Deliver Emotional Performances In Solid, If Not Always, Satisfying, Opera Experience

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