Apr 17, 2018 Manhattan School of Music 2017-18 Review – The Snow Maiden: Juliana Levinson & Castmates Deliver Rousing Showcase of Rimsky-Korsakov Gem
Apr 17, 2018 Chicago Opera Theater 2017-18 Review – Il Pigmalione and Rita: A Double-Bill of Donizetti Pays Worthy Homage to His Genius
Apr 17, 2018 Oper Graz 2017-18 Review – ll Viaggio a Reims: Rossini Comedy a Sparkling Triumph Worthy of Maison Krug.
Apr 17, 2018 Chicago Opera Theater 2018-19 Season – Il Pigmalione / Rita: Donizetti Donizetti Double Bill Is A Masterclass in Composition
Apr 15, 2018 Metropolitan Opera 2017-18 Review-Lucia di Lammermoor: Jessica Pratt Is A Revelation As Donizetti’s Tragic Heroine
Apr 14, 2018 Carnegie Hall 2017-18 Review – Tristan und Isolde: Jonas Kaufmann Reminds Us of His Colorful & Nuanced Wagner Singing In Triumphant Debut
Apr 13, 2018 Teatro Real De Madrid 2017-18 – Gloriana: Anna Caterina Antonacci & David McVicar Team Up For Sensational Revival of Neglected Britten Work
Apr 11, 2018 Opéra de Lyon 2017-18 Review – Don Carlos: Even With An Auto-Da-Fé, Christophe Honoré’s Production Never Catches Fire
Apr 5, 2018 Opéra de Lyon 2017-18 Review – Macbeth: Ivo van Hove Turns Shakespeare & Verdi Into a “Bonfire of the Vanities” Video Game
Apr 3, 2018 NYU Steinhardt 2107-18 Review – Dialogues of the Carmelites: The Horrors of the French Revolution Portrayed In Potent Manner
Apr 3, 2018 Carnegie Hall 2017-18 Review – Der Rosenkavalier: Kirill Petrenko Leads Bayerisches Staatsorchester in History-Making Performance
Apr 2, 2018 Vienna State Opera 2017-18 Review: Parsifal: Alvis Hermanis’ Madhouse Production Will Drive You Crazy (Not In a Good Way)