Metropolitan Opera 2017-18 Review – Roméo Et Juliette: Ailyn Pérez, Charles Castronovo, Plácido Domingo & Co. Deliver Darker, Heavier Interpretation of Gounod Opera

Opera Omaha ONE Festival 2017-18 Review: ‘Medea’ and Contemporary Ideas Combine for Intriguing Overall Concept

Teatro Regio Torino 2017-18 Review – I Lombardi: Angela Meade & Francesco Meli Sparkle In Early, But Underdeveloped Verdi Opera

Carnegie Hall 2017-18 Review: Lawrence Brownlee Bares All With New York Premiere of “Cycles of My Being”

Usedomer Musik Festival 2018 Review – Jakub Jósef Orliński Gives a Bravura Baroque Recital Minus Bboy Boomerangs

Kirker Music Festival on Lake Como 2018 Review: Benjamin Appl Sings a Celestial Liederabend in Arcadian Italy.

Manhattan School of Music 2017-18 Review – La Cenerentola: A Solid Production Featuring Aspiring Talent Through & Through

Opera Omaha 2017-18 Review – Proving Up: Mazzoli and Vavrek Masterfully Explore Migration Hardship in the Heartland

Metropolitan Opera 2017-18 Review – Cendrillon: Laurent Pelly, Joyce DiDonato & Company Deliver Exquisite Evening of Massenet Fairy Tale

Metropolitan Opera 2017-18 Review – Tosca: Anna Netrebko Conquers Puccini’s Iconic Diva

Carnegie Hall 2017-18 Review – Candide: Erin Morley, Paul Appleby, John Lithgow & Patricia Racette Charm In Celebration To Leonard Bernstein

Juilliard School 2018 Review – Hippolyte et Aricie: Production Recreates What Rameau Would Have Hoped For