Wexford Festival Opera 2017 Review – La Scala di Seta: A Perfectly Entertaining, if Uneven, Performance

Lyric Opera of Chicago 2017-18 Review – Rigoletto: Matthew Polenzani, Quinn Kelsey and Rosa Feola Dazzle in Verdi’s Tragedy

Wexford Festival Opera 2017 Review – Margherita: Strong Production Makes Case that Foroni Could Have Challenged Verdi For Mantle of Italy’s Top Composer

Pacific Opera Project 2017-18 – The Monkey’s Paw & The Medium: Double Bill Enchants & Sets Perfect Halloween Mood

New York City Opera 2017-18 Review – Dolores Claiborne: Tobias Picker’s Opera Shocks and Thrills

Carnegie Hall 2017-18 Review: Renee Fleming Builds To Pleasing Finish At Carnegie Hall Recital

Oper Frankfurt 2017-18 Review – Peter Grimes: Spellbinding Performance By Vincent Wolfsteiner Leads Fascinating Portrayal of Britten Masterpiece

Carnegie Hall 2017-18 Review: Contrasts Delight The Mind And Heart With Antonio Pappano & Barbara Hannigan

Teatro Real De Madrid 2017-18 Review – Carmen: Calixto Bieito’s Vision Gains Relevancy in Spain’s Current Tumultuous Times

Oper Frankfurt 2017-18 Review – Eugene Onegin: A Touching and Clever Version of Tchaikovsky’s Gem

Opernhaus Zürich 2017-18 Review – Tosca: Anja Harteros’ Star Power the Driving Force In Carsen’s Production

Amore Opera 2017-18 Review – Tosca: Jose Heredia and Dilara Unsal Ozkan Prove Themselves a Power Couple