Reviews
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New York City Opera 2016-17 Review – Candide: The Best of All Possible Sopranos Leads a Bountiful Comedic Garden
Metropolitan Opera 2016-17 Review – La Bohème: This Is No Routine Production As Fabiano, Pérez & Co. Deliver Vivacity to Powerful Tragedy
Metropolitan Opera Review 2016-17 – Il Barbiere di Sivilgia: You Will Have Fun Seeing Camarena, Yende, Mattei & This Refreshing Cast
Metropolitan Opera 2016-17 Review – Roméo Et Juliette: Damrau & Grigolo’s Chemistry As Emotionally Riveting & Sexy As Ever
CD Review – Revive: Elina Garanca’s New Album Is a Balanced Achievement in Dramatic Singing
LoftOpera 2016 Review – Macbeth: Ambience & Extraordinary Dramatic Goods Make This a Party Worth Attending
Metropolitan Opera Review 2016-17 – Nabucco: Placido Domingo, 75, Is Still a Rockstar & So Is the Rest of the Cast
Metropolitan Opera Review 2016-17 – L’Amour de Loin: Singers Provide Light Despite a Strange Dark Moment in Saariaho’s Masterpiece
‘All Who Wander’ CD Review: Jamie Barton & Brian Zeger Lead Listener Through Rich Emotional Landscape
Metropolitan Opera 2016-17 Review – Salome: Patricia Racette Descends Into Insanity In Riveting Performance
