Jun 21, 2018 Opéra National de Paris 2017-18 Review – Il Trovatore: Sondra Radvanovsky & Anita Rachvelishvilli Shine In Overindulgent Production
Jun 21, 2018 Palazetto Bru Zane 2018 Festival Review: Gounod Gala Is A Goldmine of Hidden Operatic Gems
Jun 20, 2018 Vienna Philharmonic 2017-18 Review: Elina Garanca Takes Us On A Transcendent Journey With Mahler
Jun 20, 2018 Palacio de Bellas Artes 2018 Review – El Juego De Los Insectos: Ibarra’s Opera Features A Fascinating Vision That Could Still Use Some Revisions
Jun 18, 2018 Royal Opera House 2017-18 Review – La Bohème: Matthew Polenzani, Maria Agresta & Company Trapped In Camp Direction
Jun 15, 2018 Teatro Comunale di Bologna 2017-18 Review – Don Carlo: Maria José Siri & Luca Salsi Dominate Verdi’s Masterpiece
Jun 14, 2018 Metropolitan Opera Summer Recital Series 2018 Review – Hopkins, Chang, and Moore Put on a Splendid Evening of Outdoor Opera
Jun 14, 2018 Opernhaus Zurich 2017-18 Review: Das Land Des Lachelns: Piotr Beczala Shines Amidst Confused Production of Lehár Classic
Jun 13, 2018 Teatr Wielki Warsaw 2017-18 Review – Carmen: Rinat Shaham & Leonardo Capalbo Salvage Senseless Production By Andrzej Chyra
Jun 12, 2018 New York Opera fest 2018 Review: The Rose Elf — Hertzberg – Ousley Team Stage a Graveyard Smash
Jun 11, 2018 Spoleto Festival USA 2018 Review – Tree of Codes: Liza Lim’s Work Provides Visual Dazzle But No Vocal Highlights
Jun 9, 2018 Royal Opera House 2017-2018 Review – Lohengrin: Christine Goerke Shines Among Solid Cast As Half-Awoken Myths Stay in the (Wartime) Trenches of Reality