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Reviews

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Jun 21, 2018

Opéra National de Paris 2017-18 Review – Il Trovatore: Sondra Radvanovsky & Anita Rachvelishvilli Shine In Overindulgent Production

Jun 21, 2018

Palazetto Bru Zane 2018 Festival Review: Gounod Gala Is A Goldmine of Hidden Operatic Gems

Jun 20, 2018

Vienna Philharmonic 2017-18 Review: Elina Garanca Takes Us On A Transcendent Journey With Mahler

Jun 20, 2018

Palacio de Bellas Artes 2018 Review – El Juego De Los Insectos: Ibarra’s Opera Features A Fascinating Vision That Could Still Use Some Revisions

Jun 18, 2018

Royal Opera House 2017-18 Review – La Bohème: Matthew Polenzani, Maria Agresta & Company Trapped In Camp Direction

Jun 15, 2018

Teatro Comunale di Bologna 2017-18 Review – Don Carlo: Maria José Siri & Luca Salsi Dominate Verdi’s Masterpiece

Jun 14, 2018

Metropolitan Opera Summer Recital Series 2018 Review – Hopkins, Chang, and Moore Put on a Splendid Evening of Outdoor Opera

Jun 14, 2018

Opernhaus Zurich 2017-18 Review: Das Land Des Lachelns: Piotr Beczala Shines Amidst Confused Production of Lehár Classic

Jun 13, 2018

Teatr Wielki Warsaw 2017-18 Review – Carmen: Rinat Shaham & Leonardo Capalbo Salvage Senseless Production By Andrzej Chyra

Jun 12, 2018

New York Opera fest 2018 Review: The Rose Elf — Hertzberg – Ousley Team Stage a Graveyard Smash

Jun 11, 2018

Spoleto Festival USA 2018 Review – Tree of Codes: Liza Lim’s Work Provides Visual Dazzle But No Vocal Highlights

Jun 9, 2018

Royal Opera House 2017-2018 Review – Lohengrin: Christine Goerke Shines Among Solid Cast As Half-Awoken Myths Stay in the (Wartime) Trenches of Reality

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