Mar 21, 2018 Palau de la Música Catalana 2017-18 Review: Mark Padmore, Julius Drake and the Cor de Cambra del Palau Shine With Schubert & Britten
Mar 19, 2018 Gran Theatre del Liceu 2017-18 Review – Andrea Chénier: Sondra Radvanovsky Steals the Show From Jonas Kaufmann in Barcelona
Mar 19, 2018 Pittsburgh Opera 2017-18 – Moby Dick: Jake Heggie’s Masterpiece Gets Tremendous Performances From Honeywell, Panikkar, Mayes, Among Others
Mar 16, 2018 Metropolitan Opera 2017-18 Review – Così Fan Tutte: Kelli O’Hara, Christopher Maltman Lead Wonderful Cast in Fantastical Production
Mar 14, 2018 English Concert 2018 Review – Rinaldo: Harry Bicket’s Interpretation brings Harry Potter’s Magic to Madrid
Mar 12, 2018 Slovenian National Opera 2017-18 Review – La Belle Et La Bête: Philip Glass Adaptation of Cocteau Film Given Extraordinary Showcase
Mar 10, 2018 Royal Opera House 2017-18 Review – From the House of the Dead: Prison Drama Locks Up Its Singers
Mar 7, 2018 Teatro Filharmonico Verona 2017-18 Review – Manon Lescaut: Soprano Amarilli Nizza Overcomes Illness in Graham Vick’s Insightful Reading of Puccini Classic
Mar 7, 2018 Opera di Firenze 2017-18 Review – La Favorite: Sublime Cast Led By Fabio Luisi Salvages Dull Production
Mar 6, 2018 Lyric Opera of Chicago 2017-18 Review – Faust: Frame’s Unique Concepts Combine With Glorious Singing From Ailyn Pérez & Ben Bernheim
Mar 5, 2018 Washington National Opera 2017-18 Review – Don Carlo: Great Voices & A Brilliant, Fatalist Production Make Verdi Masterwork More Relevant Than Ever
Mar 5, 2018 Vienna State Opera 2017-18 Review – Ariodante: Sir David McVicar’s sumptuous staging for the Wiener Staatsoper Is a Case of Handel With Care