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Reviews

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Mar 21, 2018

Palau de la Música Catalana 2017-18 Review: Mark Padmore, Julius Drake and the Cor de Cambra del Palau Shine With Schubert & Britten

Mar 19, 2018

Gran Theatre del Liceu 2017-18 Review – Andrea Chénier: Sondra Radvanovsky Steals the Show From Jonas Kaufmann in Barcelona

Mar 19, 2018

Pittsburgh Opera 2017-18 – Moby Dick: Jake Heggie’s Masterpiece Gets Tremendous Performances From Honeywell, Panikkar, Mayes, Among Others

Mar 16, 2018

Metropolitan Opera 2017-18 Review – Così Fan Tutte: Kelli O’Hara, Christopher Maltman Lead Wonderful Cast in Fantastical Production

Mar 14, 2018

English Concert 2018 Review – Rinaldo: Harry Bicket’s Interpretation brings Harry Potter’s Magic to Madrid

Mar 12, 2018

Slovenian National Opera 2017-18 Review – La Belle Et La Bête: Philip Glass Adaptation of Cocteau Film Given Extraordinary Showcase

Mar 10, 2018

Royal Opera House 2017-18 Review – From the House of the Dead: Prison Drama Locks Up Its Singers

Mar 7, 2018

Teatro Filharmonico Verona 2017-18 Review – Manon Lescaut: Soprano Amarilli Nizza Overcomes Illness in Graham Vick’s Insightful Reading of Puccini Classic

Mar 7, 2018

Opera di Firenze 2017-18 Review – La Favorite: Sublime Cast Led By Fabio Luisi Salvages Dull Production

Mar 6, 2018

Lyric Opera of Chicago 2017-18 Review – Faust: Frame’s Unique Concepts Combine With Glorious Singing From Ailyn Pérez & Ben Bernheim

Mar 5, 2018

Washington National Opera 2017-18 Review – Don Carlo: Great Voices & A Brilliant, Fatalist Production Make Verdi Masterwork More Relevant Than Ever

Mar 5, 2018

Vienna State Opera 2017-18 Review – Ariodante: Sir David McVicar’s sumptuous staging for the Wiener Staatsoper Is a Case of Handel With Care

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