Reviews
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Croatian National Opera 2017-18 Review – Der Fliegende Holländer: Great Musicianship & Artistry Salvage Shipwreck of a Production
Metropolitan Opera 2017-18 Review – Il Trovatore: Four Great Voices Give Verdi Drama Wondrous Life In McVicar’s Genius Production
Utah Opera 2017-18 Review – Moby Dick: Jake Heggie’s Masterwork Soars In Solid Production
Editorial: Is It Time To Change How Opera Reviews Are Done? And Is It Possible?
Royal Opera House Muscat 2017-18 Review: La Sonnambula: Rosa Feola Triumphs As Famed Bellini Heroine
Teatro dell’Opera di Roma 2017-18 Review – I Masnadieri: Roberta Mantegna, Artur Rucinski Dominate in Brilliant But Bleak Production By Massimo Popolizio
Deutsche Oper Berlin 2017-18 Review – Carmen: Clémentine Margaine & Charles Castronovo Gutted By Director Obsessed With Human Organs & Vivisections
Teatro La Fenice Review 2017-18 – La Metamorfosi di Pasquale: Two Solid Leads Can’t Save Mediocre Work By Young Spontini
Metropolitan Opera: 2017-18 Review – L’Elisir D’Amore: Polenzani Leaves Audience Drunk on Love
Prague National Theatre 2017-18 Review – Billy Budd: Britten Masterwork Capsizes In a Sea of Questionable Direction
