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Reviews

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Feb 22, 2018

Barbican 2017-18 Review – Dead Man Walking: Joyce DiDonato Shines In Jake Heggie’s Haunting Disarray Of An Opera

Feb 20, 2018

Metropolitan Opera 2017-18 Review – Semiramide: Elizabeth DeShong Shines In Disappointing Revival

Feb 17, 2018

Metropolitan Opera 2017-18 Review – La Bohème: Michael Fabiano In Top Form Alongside Splendid Sonya Yoncheva, Susanna Phillips, Lucas Meachem & Others

Feb 17, 2018

New York Philharmonic 2017-18 Review – Die Walküre: Jaap van Zweden & Soloists Deliver Sublime Rendition of Act One of Wagner Masterwork

Feb 14, 2018

Lyric Opera of Chicago 2017-18 Review – I Puritani: Shagimuratova and Brownlee Thrill in Bellini’s Final Work

Feb 14, 2018

Opera Rara 2017-18 Review – The Man who Mistook His Wife for a Hat: Michael Nyman’s Opera About Madness Makes a Lot of Sense in Krakow

Feb 14, 2018

Manhattan School of Music Master Recital 2018: Baritone William Huyler Delivers Knockout Showcase of ‘Forbidden’ Composers

Feb 14, 2018

Chicago Opera Theater 2017-18 Review: Elizabeth Cree: A Masterpiece Hits the Stage in Potent Fashion

Feb 13, 2018

Canadian Opera Company 2017-18 Review – The Abduction From the Seraglio: Revisions to Libretto Don’t Feel All That Necessary

Feb 10, 2018

Tucson Desert Song Festival 2017-18 Review: Phillippe Sly and John Charles Britton Deliver Mesmerizing Night of Schubert

Feb 7, 2018

Teatro Filharmonico 2017-18 Review – Otello: Sentimental Production & Decent Cast Create Enjoyable Evening

Feb 6, 2018

Metropolitan Opera 2017-18 Review – Parsifal: A Brilliant Cast Shines In Met’s Greatest Production Of Last Decade

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