Feb 22, 2018 Barbican 2017-18 Review – Dead Man Walking: Joyce DiDonato Shines In Jake Heggie’s Haunting Disarray Of An Opera
Feb 20, 2018 Metropolitan Opera 2017-18 Review – Semiramide: Elizabeth DeShong Shines In Disappointing Revival
Feb 17, 2018 Metropolitan Opera 2017-18 Review – La Bohème: Michael Fabiano In Top Form Alongside Splendid Sonya Yoncheva, Susanna Phillips, Lucas Meachem & Others
Feb 17, 2018 New York Philharmonic 2017-18 Review – Die Walküre: Jaap van Zweden & Soloists Deliver Sublime Rendition of Act One of Wagner Masterwork
Feb 14, 2018 Lyric Opera of Chicago 2017-18 Review – I Puritani: Shagimuratova and Brownlee Thrill in Bellini’s Final Work
Feb 14, 2018 Opera Rara 2017-18 Review – The Man who Mistook His Wife for a Hat: Michael Nyman’s Opera About Madness Makes a Lot of Sense in Krakow
Feb 14, 2018 Manhattan School of Music Master Recital 2018: Baritone William Huyler Delivers Knockout Showcase of ‘Forbidden’ Composers
Feb 14, 2018 Chicago Opera Theater 2017-18 Review: Elizabeth Cree: A Masterpiece Hits the Stage in Potent Fashion
Feb 13, 2018 Canadian Opera Company 2017-18 Review – The Abduction From the Seraglio: Revisions to Libretto Don’t Feel All That Necessary
Feb 10, 2018 Tucson Desert Song Festival 2017-18 Review: Phillippe Sly and John Charles Britton Deliver Mesmerizing Night of Schubert
Feb 7, 2018 Teatro Filharmonico 2017-18 Review – Otello: Sentimental Production & Decent Cast Create Enjoyable Evening
Feb 6, 2018 Metropolitan Opera 2017-18 Review – Parsifal: A Brilliant Cast Shines In Met’s Greatest Production Of Last Decade