Carnegie Hall 2017-18 Review – Tristan und Isolde: Jonas Kaufmann Reminds Us of His Colorful & Nuanced Wagner Singing In Triumphant Debut

Teatro Real De Madrid 2017-18 – Gloriana: Anna Caterina Antonacci & David McVicar Team Up For Sensational Revival of Neglected Britten Work

Opéra de Lyon 2017-18 Review – Don Carlos: Even With An Auto-Da-Fé, Christophe Honoré’s Production Never Catches Fire

Opéra de Lyon 2017-18 Review – Macbeth: Ivo van Hove Turns Shakespeare & Verdi Into a “Bonfire of the Vanities” Video Game

NYU Steinhardt 2107-18 Review – Dialogues of the Carmelites: The Horrors of the French Revolution Portrayed In Potent Manner

Carnegie Hall 2017-18 Review – Der Rosenkavalier: Kirill Petrenko Leads Bayerisches Staatsorchester in History-Making Performance

Vienna State Opera 2017-18 Review: Parsifal: Alvis Hermanis’ Madhouse Production Will Drive You Crazy (Not In a Good Way)

Palau de les Arts 2017-18 Review – Il Corsaro: Michael Fabiano & Vito Priante Dominate in Early Verdi Opera

Metropolitan Opera 2017-18 Review – Luisa Miller: An Unquestioned Triumph for Yoncheva and Beczala

Teatro Maggio Musicale Fiorentino 2017-18 Review – Alceste: Nino Surguladze Has Solid Night in Sweet Revival of Gluck Opera

New York City Opera 2017-18 Review – Il Pigmalione and Pigmalion: An Unusual & Exciting Double-Bill

Royal Opera House Season 2017-18 Review – Macbeth: Anna Netrebko & Zeljko Lucic Shine In Unsatisfactory Production