Reviews
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Metropolitan Opera 2017-18 Review – Madama Butterfly: Ermonela Jaho Triumphs In Tragic Portrayal Of Puccini’s Heroine
Editorial: Searching For A Greater Meaning in Lawrence Brownlee’s “Cycles of My Being”
The Cantanti Project 2018 Review – Euridice: An Intimate Experience That Shows Us What Opera Is, and What It Could Be
Barbican 2017-18 Review – Dead Man Walking: Joyce DiDonato Shines In Jake Heggie’s Haunting Disarray Of An Opera
Metropolitan Opera 2017-18 Review – Semiramide: Elizabeth DeShong Shines In Disappointing Revival
Metropolitan Opera 2017-18 Review – La Bohème: Michael Fabiano In Top Form Alongside Splendid Sonya Yoncheva, Susanna Phillips, Lucas Meachem & Others
New York Philharmonic 2017-18 Review – Die Walküre: Jaap van Zweden & Soloists Deliver Sublime Rendition of Act One of Wagner Masterwork
Lyric Opera of Chicago 2017-18 Review – I Puritani: Shagimuratova and Brownlee Thrill in Bellini’s Final Work
Opera Rara 2017-18 Review – The Man who Mistook His Wife for a Hat: Michael Nyman’s Opera About Madness Makes a Lot of Sense in Krakow
Manhattan School of Music Master Recital 2018: Baritone William Huyler Delivers Knockout Showcase of ‘Forbidden’ Composers
