Reviews
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New York City Opera 2016-17 Review – Angels In America: Peter Eötvös’s Work Finds A Remarkable Cast Within A Forgettable Score
Ópera de Colombia 2017 Review – Orphée et Eurydice: Amalia Avilán, Paola Gardina Make Strong Case for Colombia’s Operatic Potential
San Francisco Opera 2017 Review – Don Giovanni: Ildebrando D’Arcangelo, Erin Wall Lead Solid Cast in Musically Balanced Production
The Cleveland Opera 2016-17 Review – La Bohème: Supporting Cast Puts Up Strong Showing As Leads Struggle
Moscow Virtuosi Chamber Orchestra Tour Review: Vladimir Spivakov Leads A Delightful Concert Starring Hibla Gerzmava
New York Philharmonic 2016-17 Review: Alan Gilbert Says Goodbye With a Monumental ‘Das Rheingold’
Washington National Opera 2016-17 Review: ‘Trading Voices’ Gala Is An Inspiring Tribute To Opera
Opera Parallèle Review 2017: Les Enfants Terribles Aren’t So Terrible After All
Grand Thèâtre de Genève 2016-17 Review – Cosí Fan Tutte: Mozart Masterpiece Gets a Darker Twist
Editorial: 7 Ways The Metropolitan Opera Could Bring In New Audiences & Improve Customer Experience As It Struggles With Ticket Sales
