Reviews
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Barbican Theater 2018 Review: Jonas Kaufmann Is Otherworldly In Strauss’ ‘Four Last Songs’
Vienna State Opera 2017-18 Review – Samson et Dalila: Despite Solid Turns From Roberto Alagna and Elina Garanca, Modern Makeover of Classic Bible Story Goes Up In Flames (Literally)
Teatro La Fenice 2017-18 Review – Norma: Soprano Mariella Devia Reigns Supreme In Final Staged Production
Deutsche Oper Berlin 2017-18 Review – Rigoletto: Zeljko Lucic To The Rescue In Muddled Jan Bosse Production
Semperoper Dresden 2017-18 Review – La Forza del Destino: Mark Wigglesworth’s Music Making Overcomes Uneven Leads in Unique Production
Philadelphia Orchestra 2017-18 Review – Tosca: Yannick Nézet-Séguin Ends Season With Rousing Symphonic Take on Puccini Classic
Opera Di Roma 2017-18 Review – Billy Budd: Company Premiere of Britten Masterwork Given Pitch-Perfect Production
Long Beach Opera 2017-18 Review – The Love Potion: A Wonderful Production & Team Engages In Enchanting Experience
Staatsoper Berlin 2017-18 Review – King Arthur: A Highly Imaginative Take on the Purcell Work
New York Opera Fest 2018 Review – Tabula Rasa: Jarrar-Goodwin Team Transcends Genre with New Work
Rose Theater, Jazz at Lincoln Center 2018 Review – Orphic Moments: Matthew Aucoin‘s Cantata Enriches Orpheus Myth