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Reviews

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Jun 16, 2017

Carnegie Hall 2017 Review: Frederica Von Stade, Jake Heggie, Harolyn Blackwell, Credo & Dallas Street Choir Put Together Moving Concert Calling For Tolerance

Jun 15, 2017

New York City Opera 2016-17 Review – Angels In America: Peter Eötvös’s Work Finds A Remarkable Cast Within A Forgettable Score

Jun 14, 2017

Ópera de Colombia 2017 Review – Orphée et Eurydice: Amalia Avilán, Paola Gardina Make Strong Case for Colombia’s Operatic Potential

Jun 13, 2017

San Francisco Opera 2017 Review – Don Giovanni: Ildebrando D’Arcangelo, Erin Wall Lead Solid Cast in Musically Balanced Production

Jun 13, 2017

The Cleveland Opera 2016-17 Review – La Bohème: Supporting Cast Puts Up Strong Showing As Leads Struggle

Jun 8, 2017

Moscow Virtuosi Chamber Orchestra Tour Review: Vladimir Spivakov Leads A Delightful Concert Starring Hibla Gerzmava

Jun 7, 2017

New York Philharmonic 2016-17 Review: Alan Gilbert Says Goodbye With a Monumental ‘Das Rheingold’

Jun 5, 2017

Washington National Opera 2016-17 Review: ‘Trading Voices’ Gala Is An Inspiring Tribute To Opera

May 30, 2017

Opera Parallèle Review 2017: Les Enfants Terribles Aren’t So Terrible After All

May 20, 2017

Grand Thèâtre de Genève 2016-17 Review – Cosí Fan Tutte: Mozart Masterpiece Gets a Darker Twist

May 19, 2017

Editorial: 7 Ways The Metropolitan Opera Could Bring In New Audiences & Improve Customer Experience As It Struggles With Ticket Sales

May 17, 2017

Theater Bonn Review 2016-17 – Peter Grimes: José Cura Shifts The Blame On Main Character, Concocting An Engrossing Production

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